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    Film
    duologue
    Drama

    Gollum and Smeagol Argue: Leave Now and Never Come Back

    from The Lord of the Rings: The Two Towers

    Oscar WinnerBAFTA Winner

    Written by Fran Walsh & Philippa Boyens & Stephen Sinclair & Peter Jackson

    The Lord of the Rings: The Two Towers

    2 min · 2 characters · Any gender

    Smeagol battles his malevolent alter-ego, Gollum, in a desperate attempt to reclaim his identity and loyalty to his new master.

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    Scene PreviewExcerpt — subscribe to read full scene

    GOLLUM

    We wants it. We needs it. Must have the precious. They stole it from us. Sneaky little Hobbitses. Wicked. Tricksy. False.

    SMÉAGOL

    No. Not Master.

    GOLLUM

    Yes, precious. False. They will cheat you, hurt you, lie!

    SMÉAGOL

    Master’s my friend.

    GOLLUM

    You don’t have any friends. Nobody likes you.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Adapted for the screen by Fran Walsh & Philippa Boyens & Stephen Sinclair & Peter Jackson, this intense dramatic sequence captures a visceral battle of wills within a single, divided psyche. As his companions sleep nearby, the creature engages in a desperate psychological dispute over betrayal, dependency, and survival. Sméagol attempts to break free from the poisonous influence of his alter-ego, seeking redemption through loyalty to his master, while Gollum ruthlessly attacks his vulnerabilities.

    Character Analysis

    Sméagol embodies the remnant of the creature's original innocence, craving validation, kindness, and freedom from his past misdeeds. He is emotionally exposed and desperate for a clean slate, yet deeply fragile in his resolve. In contrast, Gollum acts as the cynical protector and manipulator who weaponizes guilt, shame, and fear to maintain control. Gollum views reliance on others as a fatal weakness, believing survival depends entirely on isolation and ruthless self-preservation.

    Why This Works for Auditions

    This piece provides an extraordinary technical and emotional showcase for an actor looking to demonstrate extreme versatility within a tight timeframe. Switching between two completely distinct personas requires exceptional precision in physicalization, vocal placement, and eye lines without relying on external effects. It tests an actor's ability to maintain high stakes and distinct internal objectives while shifting rapidly between predatory aggression and childlike vulnerability.

    Best Suited For

    The material is ideally matched for character actors, villains, and performers aiming to display dynamic range in drama school auditions, agent showcases, or self-tapes. Because the piece demands an intense commitment to physical transformation and psychological fragmentation, it also serves as a rigorous workout for scene study and voice practice.

    Performance Tips

    Ground both personas in clear physical and vocal anchors rather than generic strain or vocal mimicry. Choose precise, consistent eye lines for each persona so that the dialogue reads cleanly on camera or across an audition room. Pay close attention to the turning point where Sméagol shifts from being intimidated to claiming his autonomy, letting the change in posture and breath reflect that sudden, hard-won victory.

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