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    Harry Lee's Library Project

    from The Brutalist

    Oscar WinnerGolden Globe

    Written by Brady Corbet & Mona Fastvold

    The Brutalist

    1-2 min · 3 characters · Male · 30s-50s

    Harry Lee Van Buren approaches Attila and his cousin Laszlo with a request to renovate his father's study into a proper library. The scene establishes the class dynamic between the wealthy client and the immigrant craftsmen as they discuss the technical requirements of the project.

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    ATTILA

    Mr. Van Buren, this is my cousin, Laszlo.

    HARRY LEE

    Please - that's what people call my father. Call me Harry.

    ATTILA

    Harry would like some shelving units installed over at his family's property in Doylestown.

    HARRY LEE

    Sorry to interrupt.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Brady Corbet & Mona Fastvold for the drama The Brutalist, this short group scene captures a pivotal commercial encounter between three men in a furniture workshop. Harry Lee Van Buren approaches craftsmen Attila and his cousin Laszlo with a proposal to transform his father's study into a customized private library. The interaction highlights the subtle social friction and business dynamic between a charming, affluent patron and working-class immigrant artisans embarking on a new project.

    Character Analysis

    Harry Lee represents the polished, upper-class client whose warmth and casual privilege allow him to enter the workspace with effortless ease. Attila acts as the practical and eager business manager, navigating customer service instincts to secure the deal. Laszlo is the watchful craftsman, holding his ground with measured observations as he assesses the technical craftsmanship required to bring the client's conceptual vision to life.

    Why This Works for Auditions

    This scene is an outstanding choice for three actors wanting to demonstrate status transactions, subtext, and grounded dramatic realism within a concise exchange. Because the dialogue stays professional, enthusiastic, and slightly formal on the surface, actors are challenged to communicate unspoken tension through behavioral choices and micro-expressions. It allows each performer to inhabit distinct casting types ranging from polished executive to grounded working-class artisan.

    Best Suited For

    This material is best suited for male actors in their 30s to 50s targeting agent showcases, self-tapes, or collaborative scene-study practice. It offers great opportunities for performers specializing in Leading Man, Business Executive, Charming, or Working Class archetypes. The group format is especially useful for partners aiming to master the delicate rhythm of multi-character dialogue without relying on explosive conflict.

    Performance Tips

    Establish your physical relationships immediately, letting the spatial arrangement reflect the social division between patron and tradesmen. Harry should lean into an inviting, approachable posture that conceals his natural entitlement, while Attila and Laszlo balance professional courtesy with the pragmatic calculation of laborers. Avoid pushing the drama too hard, as the genuine strength of the scene lives in naturalistic reactions, steady listening, and subtle vocal modulation.

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