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    Comedy

    Hermia and Demetrius: Where Is Lysander

    from A Midsummer Night's Dream

    Written by William Shakespeare

    Hermia confronts Demetrius, accusing him of murdering her lover Lysander while he slept. Demetrius denies the crime and tries to woo her, but a distraught Hermia rejects him and flees.

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    Scene PreviewExcerpt — subscribe to read full scene

    HERMIA

    Now I but chide; but I should use thee worse,

    For thou, I fear, hast given me cause to curse,

    If thou hast slain Lysander in his sleep,

    Being o'er shoes in blood, plunge in the deep,

    And kill me too.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This intense two-minute classical duologue comes from William Shakespeare's comedy A Midsummer Night's Dream. In this heightened confrontation, a frantic Hermia accuses Demetrius of murdering her lover Lysander while he slept. Demetrius denies the lethal accusation and attempts to woo her instead, but a distraught and fiercely protective Hermia rejects his advances and flees into the night.

    Character Analysis

    Hermia is motivated by intense grief, suspicion, and fierce loyalty to Lysander, driving her into a fury where social pleasantries completely disappear. Her emotional state fluctuates between raw panic for her missing lover and sharp disgust toward the man standing before her. Demetrius embodies unrequited love and sudden defensiveness, stubbornly attempting to steer a murder accusation into romantic devotion while struggling under the weight of her outright hostility.

    Why This Works for Auditions

    This duologue offers actors a rare opportunity to tackle classical verse infused with high-stakes urgency and intense dramatic conflict within a recognized comedic work. The dialogue moves briskly, demanding that both performers make strong choices, maintain clear objectives, and navigate sudden tonal pivots between grief, courtship, and scorn. Casting panels can quickly assess your breath support, physical connection to text, and ability to listen actively under pressure.

    Best Suited For

    This scene is exceptionally well suited for actors aged 18 to 25 seeking challenging material for drama school auditions, acting competitions, or general duologue practice. It provides distinct showcases for performers working within Ingenue, Leading Man, or Dramatic casting categories who want to demonstrate emotional range and command of classical meter.

    Performance Tips

    Trust the meter and momentum of the verse to propel your emotional objectives forward rather than slowing down to indicate sorrow. Hermia should ground her accusations in genuine terror for Lysander's fate, ensuring her rage springs from love rather than mere petulance. Demetrius needs to fight for Hermia's affection with real urgency, allowing the sting of her rejection to land fully before retreating into exhausted resignation. Keep the physical distance dynamic so the confrontation feels dangerous and unpredictable.

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