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monologue
drama

Hershel and the Trolley Graveyard

from Gemini

Written by Albert Innaurato

A nostalgic, sensitive, philosophical Hershel's monologue from "Gemini" by Albert Innaurato. Genre: drama.

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HERSHEL

There’s a trolley graveyard about two blocks from here. I could go see the engine any time. The trolley graveyard is well, like, I guess, beautiful, you know? Really. They’re just there, like old creatures everyone’s forgotten, some of them rusted out, and some of them on their sides, and one, the old thirtytwo, is like standing straight up as…

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Scene Notes & Audition Tips

5 sections
About This Scene

This compelling monologue from Albert Innaurato's play "Gemini" introduces Hershel, a character deeply engrossed in a world of his own making. He describes a "trolley graveyard," transforming a collection of discarded machinery into a place of profound beauty and forgotten history. Through his vivid descriptions, Hershel reveals a sensitive soul who finds connection and meaning in objects that society has deemed obsolete, reflecting on themes of decay, endurance, and overlooked majesty.

Character Analysis

Hershel is presented as a thoughtful, somewhat isolated young man, possessing a unique philosophical outlook. He is deeply nostalgic, finding beauty and significance in the past and in things that others might dismiss as broken or ugly. His admission of "talking to them" and then immediately regretting it ("Oh, I shouldn't have said that. Don't tell my mother, please?") reveals a vulnerable, perhaps even socially awkward, side. He sees himself as an "outsider" who relates more to forgotten objects than to typical social norms, demonstrating a rich inner life and a keen sense of observation.

Why This Works for Auditions

This monologue is an excellent choice for auditions due to its raw emotional honesty and rich character development packed into a short duration. It allows an actor to showcase vulnerability, sensitivity, and a complex inner world without needing another scene partner. The narrative arc, moving from a simple description to a deeper philosophical reflection on beauty and permanence, provides ample opportunity for dynamic vocal and emotional shifts. Its distinct tone and introspective nature make it memorable and stand out from more common dramatic pieces.

Best Suited For

This piece is ideally suited for male actors aged 18-25 who wish to portray a character with depth, introspection, and a unique perspective. It particularly resonates with casting types such as the Outsider, Loner, Vulnerable, Everyman, or Dramatic. Actors who can tap into a sense of thoughtful nostalgia and convey a subtle, almost poetic, sensitivity will find this monologue a powerful vehicle to demonstrate their emotional range and ability to connect with unusual material.

Performance Tips

When performing this monologue, focus on Hershel's genuine fascination and deep emotional connection to the trolley graveyard. Lean into the "nostalgic" and "sensitive" tones, allowing his observations to unfold organically, as if he's discovering new layers of meaning as he speaks. Pay attention to the subtle shifts in his voice when he reveals his secrets ("I talk to them," "Don't tell my mother"), highlighting his vulnerability and desire for understanding. Emphasize the philosophical weight of his reflections, particularly when equating the trolleys to "old things last, good things last," showcasing his deep empathy and unique worldview.

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