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    Tragedy
    Horror

    I Have a Strange Thing in Me

    from The White Devil

    Written by John Webster

    Flamineo reflects on his guilty conscience before being confronted by the silent, terrifying ghost of Brachiano bearing a skull.

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    Scene PreviewExcerpt — subscribe to read full scene

    FLAMINEO

    I have a strange thing in me, to th' which I cannot give a name, without it be Compassion. I pray leave me.

    Exit Francisco.

    This night I 'll know the utmost of my fate; I 'll be resolv'd what my rich sister means T' assign me for my service. I have liv'd Riotously ill, like some that live in court, And sometimes when my face was full of smiles,…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Drawn from John Webster’s classical tragedy The White Devil, this dark monologue captures a chilling moment of introspection and supernatural dread. Flamineo begins alone, wrestling with uncharacteristic feelings of conscience and guilt after living a corrupt life at court. His brief moment of reflection is shattered by an encounter with the silent ghost of Brachiano, pushing him into a desperate confrontation with his own mortality and impending fate.

    Character Analysis

    Flamineo is a sharp-witted, morally bankrupt courtier whose outward cynicism masks a turbulent internal world. Though he operates as a ruthless villain and anti-hero, this speech exposes the psychological toll of his past deeds and his struggle with unaccustomed feelings of compassion. When confronted by death itself, he shifts from uneasy contemplation into fierce defiance, masking his terror with dark wit and an unwavering resolve to pursue his dangerous goals.

    Why This Works for Auditions

    This piece provides an actor with an extraordinary dramatic journey within a tight two-minute timeframe. It allows you to demonstrate command of classical heightened language while navigating sharp tonal shifts from quiet melancholy to raw terror and vengeful focus. Furthermore, it showcases your ability to hold an audience's attention during high-stakes supernatural drama without losing emotional truth.

    Best Suited For

    This monologue is an excellent selection for male performers aged twenty-five to thirty-five who naturally fit intense, dark anti-hero or character actor types. It is exceptionally well suited for classical drama school auditions, monologue competitions, and general practice requiring commanding presence and vocal control.

    Performance Tips

    Establish a stark contrast between your opening philosophical musings and the sudden shock of the apparition. Give the phantom a clear, consistent physical placement in your audition space, allowing your reactions to carry the eerie silence of the exchange. When the spirit throws earth upon you, commit fully to the sensory shock, letting that physical violation propel Flamineo from philosophical dread into dangerous, lethal resolve.

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