Play
monologue
Drama

Imogen Disguised as Fidele

from Cymbeline

Written by William Shakespeare

Imogen, disguised as a boy and exhausted from her journey through the Welsh mountains, reflects on her weariness and the betrayal of her husband before discovering a cave.

Start a free 7-day trial — 5 downloads a day, unlimited when Pro begins

Rehearse on your terms

Take this monologue into rehearsal and work through it at your own pace.

Scene PreviewExcerpt — subscribe to read full scene

IMOGEN

I see a man's life is a tedious one:

I have tired myself, and for two nights together

Have made the ground my bed. I should be sick,

But that my resolution helps me.

End of preview. Continue with Pro below.

7 days freeYour next rehearsal starts here

Found your next scene? Make it yours.

Start your free trial and read Imogen Disguised as Fidele in full, with access to 4,500+ monologues and scenes to explore next.

  • Read the full scene and explore the library
  • Download your script in a clean, printable format
  • Take it into rehearsal with the Script Reader
Casting Types
Get Feedback
Coming Soon

Want expert coaching on this scene?

Browse our curated list of acting coaches, dialect specialists, and more.

Find a Coach

Need representation?

Browse verified agents and casting directors in our directory.

Scene Notes & Audition Tips

5 sections
About This Scene

Taken from William Shakespeare's classical drama *Cymbeline*, this two-minute dramatic monologue captures Imogen at an extreme personal crisis. Disguised as a young man while navigating the rugged Welsh mountains, she grapples with overwhelming physical exhaustion and the bitter sting of her husband's betrayal. As severe hunger and weariness threaten to break her spirits, she suddenly discovers an isolated cave, forcing herself to summon immediate courage in an unfamiliar and wild environment.

Character Analysis

Imogen embodies a compelling fusion of profound vulnerability and instinctive resilience. Although cast as an ingenue or leading lady, she is far from fragile; her desperate journey reveals a survivor who continues onward despite intense physical suffering and emotional grief. Her reflections on her husband expose deep feelings of betrayal, yet this heartbreak paradoxically fuels her determination to persist, demonstrating a complex inner strength that balances genuine fear with emergent bravery.

Why This Works for Auditions

This piece presents audition panels with a rich, multifaceted classical journey that unfolds across a compact timeframe. Actors have the rare opportunity to balance heavy internal sorrow with urgent physical objectives, demonstrating how external conditions like starvation and exposure shape speech and physical life. Furthermore, the progression from philosophical reflection to immediate tactical action as she prepares to enter the cave highlights an actor's ability to maintain high stakes and distinct shifts in thought.

Best Suited For

This classical monologue is an excellent choice for female actors aged eighteen to twenty-five preparing for drama school auditions, competitions, or focused classical practice. It provides performers who typically fit leading lady or ingenue casting brackets with an opportunity to present raw vulnerability intertwined with grit. Auditionees looking for an active, dramatic piece that moves beyond traditional romantic tropes will find this scene particularly rewarding.

Performance Tips

Anchor your work in the physical reality of prolonged mountain travel, letting genuine fatigue inform your physical center without sacrificing clear vocal articulation or forward momentum. Clearly chart the moment your attention is pulled away from personal sorrow toward the sudden discovery of the cave. Allow the audience to see your courage actively battle your fear as you draw your weapon, showing that true bravery often arrives out of pure necessity.

Explore this topic