Film
monologue
Drama
Thriller

Kill or Cure

from This Boy’s Life

Written by Robert Getchell

This Boy’s Life

Dwight intimidates his new stepson, claiming the boy's mother has given up on him and asserting his dominance through threats of discipline.

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DWIGHT

... 'cause I don't believe that crap, you know? I believe there is such a thing as a bad boy -- bad clear through. And it's gonna be my job to turn you around, to kill or cure. Kill. Or. Cure. Understand? And I'm up to the job, oh yes, believe me, hotshot, I am ready, willing and able to take you on -- you and that jibagoo music you like to sing.…

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Scene Notes & Audition Tips

5 sections
About This Scene

This intense monologue from the film *This Boy's Life* features the character Dwight, a man asserting his dominance over his new stepson. It's a powerful moment of intimidation and psychological manipulation, where Dwight makes it clear that he views the boy as "bad clear through" and intends to "kill or cure" him. The scene is a masterclass in toxic masculinity, revealing a character who relishes control and uses verbal threats to establish his authority within the new family dynamic.

Character Analysis

Dwight is presented as a formidable and menacing figure, embodying the archetypes of the Villain, Authority Figure, and Patriarch. His dialogue reveals a deeply manipulative individual who thrives on intimidation and disempowering others. He is a character driven by a need for absolute control, twisting perceptions and isolating his victim by claiming the boy's own mother has abandoned him. Understanding Dwight requires tapping into a chilling sense of self-righteousness and a profound lack of empathy, portraying him not just as angry but as deliberately cruel and calculating.

Why This Works for Auditions

This monologue is an excellent choice for auditions due to its raw emotional intensity and the clear arc of intimidation it presents. It offers actors a rich opportunity to showcase a wide range of dramatic skills, from menacing stillness to controlled aggression, without needing a scene partner. The scene's clear objective – to assert dominance and instill fear – allows for a focused and impactful performance, making it highly suitable for self-tapes and drama school auditions where strong character choices are valued.

Best Suited For

This monologue is perfectly suited for male actors aged 35-45 looking for material that demonstrates a powerful, intense, and gritty performance. It is ideal for those aiming for roles that require a strong sense of authority, a villainous edge, or a portrayal of complex, toxic masculinity. Actors preparing for drama-school-auditions, agent-showcases, or creating self-tapes for roles such as a demanding father figure, an intimidating boss, or any character exhibiting controlling behavior will find this piece highly effective.

Performance Tips

When approaching Dwight's monologue, focus on the subtext of absolute control and the pleasure he takes in his power. Instead of playing pure anger, explore the calculated nature of his threats and the psychological games he employs. Utilize pauses to build tension and allow the weight of his words to land, emphasizing the "kill or cure" mentality. Consider how Dwight uses his body language to convey an unshakeable presence and an air of inevitability, creating a truly unsettling and memorable performance that highlights the character's manipulative and domineering traits.

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