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    Drama

    Leroy's 'We All Know the Story' Swan Lake Monologue

    from Black Swan

    Oscar WinnerBAFTA WinnerGolden Globe

    Written by Mark Heyman, Andres Heinz and John McLaughlin

    Black Swan

    2 min · 1 character · Any gender · 35-45

    Leroy addresses the ballet company, detailing his visceral vision for Swan Lake and his search for a dancer who can embody both the White and Black Swan.

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    LEROY

    We all know the story: virginal girl, pure and sweet, trapped in the body of a swan. She desires freedom, but only true love can break the spell. Her wish is granted in the form of a prince. But before he can declare his love, her lustful twin, the Black Swan, tricks and seduces him. Devastated, the White Swan leaps off a cliff, killing herself.…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    In Black Swan, written by Mark Heyman, Andres Heinz and John McLaughlin, artistic director Leroy commands the room as he lays out a radical vision to the ballet company. Addressing the assembled dancers, he recounts the classic tragedy of Swan Lake while executing a calculated selection process for his new Swan Queen. The speech establishes the production's high artistic stakes and the psychological pressure defining the competitive world of elite dance.

    Character Analysis

    Leroy is an authoritative, sophisticated artistic leader whose charisma masks a sharp, manipulative eye for psychology. He understands how to weaponize his dancers' insecurity and ambition, demanding not merely technical perfection but raw passion and darkness. He commands absolute attention without needing to shout, operating with effortless status, supreme confidence, and a keen instinct for theatrical flair.

    Why This Works for Auditions

    This dramatic monologue offers an actor the chance to demonstrate magnetic stage presence, quiet command, and precise vocal modulation. Because the character addresses an entire room while evaluating individuals, performers can showcase their ability to engage with an imagined ensemble and build tension. It highlights an actor's capacity for sophistication, intellectual intensity, and calculated psychological control, making it an exceptional test of commanding status.

    Best Suited For

    Clocking in at approximately two minutes, this contemporary dramatic piece is well suited for self-tapes, agent showcases, and general audition practice. It is particularly effective for actors in the 35 to 45 age range who fit casting profiles for directors, mentors, executives, or demanding artistic figures. Because the text relies on authority and psychological dominance rather than specific gender dynamics, it offers rich possibilities for any performer.

    Performance Tips

    Avoid playing the character as cartoonishly cruel; instead, anchor your delivery in an uncompromising, visceral passion for artistic excellence. Treat the retelling of the fable as an intentional psychological tool designed to keep the listeners off balance. Use deliberate pacing and stillness to project power, allowing your eye line and subtle changes in vocal warmth to communicate absolute control over the room.

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