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    Letting Go of Nancy

    from Stranger Things

    Written by The Duffer Brothers

    Stranger Things

    Following a life-threatening encounter, Steve and Jonathan share a rare moment of vulnerability and mutual understanding. They discuss their shared history of conflict and realize they both used their rivalry over Nancy as a way to avoid facing their own personal growth and insecurities.

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    Scene PreviewExcerpt — subscribe to read full scene

    STEVE

    Hey man.

    JONATHAN

    Hey.

    STEVE

    I just -- uh. I thought I was a goner back there and... I owe you one.

    JONATHAN

    Just because I don't like you doesn’t mean I want you dead. I gotta feeling we’re gonna need you up here.

    STEVE

    Right. Yeah. I don't blame you, by the way, not liking me. I know I’ve been... an asshole at times --

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This powerful duologue from *Stranger Things* captures a rare moment of introspection and vulnerability between Steve and Jonathan, two characters previously defined by their rivalry. Following a life-threatening encounter, they find themselves in an unexpected conversation, shedding their usual animosity to reveal deeper insecurities. The scene explores themes of growth, male bonding, and the difficult process of "letting go" of past attachments or versions of oneself. It's a pivotal moment of reconciliation that offers a glimpse into the complexities of young adult relationships beyond typical high school drama.

    Character Analysis

    Both Steve and Jonathan are presented as young men grappling with their identities and the changing dynamics of their lives, particularly in relation to Nancy. Steve, often seen as the "King of Hawkins High," demonstrates an unusual humility and self-awareness, admitting his past "asshole" tendencies. Jonathan, initially guarded, reveals his own use of the rivalry as a distraction from confronting personal change. Both characters embody an "Everyman" quality despite their specific circumstances, navigating the universal struggles of growing up and understanding their emotional landscapes. The scene highlights their journey from archetypal rivals to complex individuals capable of introspection and mutual respect.

    Why This Works for Auditions

    This scene is an excellent choice for auditions due to its immediate conflict resolution and strong emotional arc. It allows actors to showcase significant emotional range within a short duration, moving from initial awkwardness and residual tension to profound vulnerability and understanding. The "reconciliation" and "growth" elements provide a clear journey for each character, demonstrating an actor's ability to handle nuanced dramatic material. Its contemporary setting and "for-teens" applicability make it highly relevant for a wide range of casting opportunities in television and film.

    Best Suited For

    This duologue is ideally suited for male actors in the 18-25 age range, particularly those looking to portray leading men, anti-heroes, or everyman types with significant dramatic depth. It’s an effective choice for agent-showcases and self-tapes, as it quickly establishes an actor's capacity for vulnerability and complex character work. The scene’s contemporary period and vulnerable tone also make it excellent general practice material for honing dramatic skills and exploring character development in a relatable context.

    Performance Tips

    When approaching this scene, lean into the awkwardness and initial tension between Steve and Jonathan. Their history of conflict should subtly inform their physical presence and vocal delivery at the beginning, giving way to genuine vulnerability as they open up. Pay close attention to the subtext of their admissions; both are revealing uncomfortable truths about themselves. The shared realization that they used Nancy to "avoid their own issues" is a crucial turning point, requiring actors to convey a moment of profound, shared understanding and reluctant camaraderie. Let the silence and beats in the script breathe, allowing the weight of their confessions to land authentically.

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