Skip to content
    Play
    duologue
    Comedy-Drama

    Lopakhin's 'My Little Peasant' Monologue

    from The Cherry Orchard

    Written by Anton Chekhov, translated by Laurence Senelick

    2 min · 2 characters · Any gender · 25-35

    Lopakhin and Dunyasha wait in the nursery for the return of the estate owners, as Lopakhin reflects on his humble origins and his rise to wealth.

    Start a free 7-day trial — 5 downloads a day, unlimited when Pro begins

    Rehearse this scene
    Rehearse on your terms

    Choose your role and voices for the other characters. Run the scene at your own pace.

    Scene PreviewExcerpt — subscribe to read full scene

    LOPAKHIN

    Train’s pulled in, thank God. What time is it?

    DUNYASHA

    Almost two.

    Blows out the candle.

    Light already.

    LOPAKHIN

    But just how late was the train? A couple of hours at least.

    Yawns and stretches.

    That’s me all over, had to do something stupid! Drove over here on purpose, to meet them at the station, and spent the time fast asleep……

    End of preview. Continue with Pro below.

    7 days freeYour next rehearsal starts here

    Found your next scene? Make it yours.

    Start your free trial and read Lopakhin's 'My Little Peasant' Monologue in full, with access to 8,000+ monologues and scenes to explore next.

    • Read the full scene and explore the library
    • Download your script in a clean, printable format
    • Take it into rehearsal with the Script Reader
    Casting Types
    Get Feedback
    Coming Soon

    Want expert coaching on this scene?

    Browse our curated list of acting coaches, dialect specialists, and more.

    Find a Coach

    Need representation?

    Browse verified agents and casting directors in our directory.

    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Set in the nursery of an estate at dawn in May, this classical comedy-drama scene from The Cherry Orchard by Anton Chekhov, translated by Laurence Senelick, captures the restless anticipation of waiting for long-absent estate owners to return from abroad. As Dunyasha and Lopakhin listen for arriving carriages, Lopakhin shares a tender, formative memory from his youth involving the estate's mistress, Lyubov Andreevna. The dialogue shifts from everyday frustration over a delayed train into an intimate meditation on social mobility, memory, and lingering self-doubt.

    Character Analysis

    Lopakhin embodies the friction between humble peasant roots and newly acquired financial success. Despite his refined clothes and wealth, he wrestles with deep-seated feelings of inadequacy, viewing his cultivated status with sharp, self-effacing irony. Dunyasha functions as an attentive counterpart whose practical observations anchor the scene, providing Lopakhin with an audience as he navigates his complex vulnerabilities and conflicting social identity.

    Why This Works for Auditions

    This piece offers actors an exceptional showcase for subtext, rapid emotional shifts, and quiet vulnerability within a classical framework. Because the dialogue centers on an extended reflective speech, it highlights a performer's capacity to hold attention through vivid storytelling and nuanced self-reckoning. It allows actors to present a grounded, working-class character wrestling with internal class struggle without succumbing to melodrama or exaggerated period mannerisms.

    Best Suited For

    This selection is an outstanding choice for drama school auditions, classical monologue competitions, and general scene study practice. Actors suited for Working Class, Everyman, Young Professional, or Character Actor casting profiles will find rich psychological material in this text. It operates effectively either as an active duologue between scene partners or as an extended speech when adapted for solo audition opportunities.

    Performance Tips

    Resist the urge to play Lopakhin's self-deprecating humor as mere buffoonery; ground his reflections in genuine emotional stakes and authentic memory. Pay close attention to the pauses and sensory details of the nursery, allowing the stillness of the dawn hour to inform your pacing and physical choices. Balance the character's outward success with the persistent, underlying insecurity that resurfaces the moment he steps back into the world of his childhood.

    No ratings yet
    Sign in to rate