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    Film
    duologue
    Drama

    Martha's Request

    from The Room Next Door

    Written by Pedro Almodóvar

    The Room Next Door

    Martha, a terminally ill reporter, asks her old friend Ingrid to be in the next room while she takes a euthanasia pill to end her life on her own terms.

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    Scene PreviewExcerpt — subscribe to read full scene

    MARTHA

    I will not go out in mortifying anguish.

    MARTHA

    I’ve gotten hold of a euthanasia pill. Don’t ask me how, on the Dark Web you can get hold of/find almost anything. I also have an abundance of opioids for the moments of pain… and don’t look at me like that… I’m not asking you to convince me otherwise.

    INGRID

    (Slowly, fearful) I don’t know what to…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    In this contemporary drama from Pedro Almodóvar's film, Martha, a terminally ill former reporter, confides in her longtime friend Ingrid with an extraordinary request. Rather than face a painful deterioration, Martha plans to end her life on her own terms and asks Ingrid simply to stay in the adjacent room for comfort. The resulting exchange is an intimate, high-stakes moral conversation centered on autonomy, friendship, and dignity.

    Character Analysis

    Martha is clear-eyed, pragmatic, and remarkably resolute, drawing upon a lifetime of reporting in perilous environments to face her mortality with calm determination. She does not demand or manipulate, yet her insistence on maintaining dignity gives her a quiet, undeniable strength. Ingrid serves as the scene's emotional anchor, navigating sudden terror, shock, and profound love as she tries to comprehend the gravity of what is being asked of her.

    Why This Works for Auditions

    This duologue is an exceptional vehicle for mature performers looking to showcase subtlety, emotional restraint, and deep subtext. Instead of relying on outward theatrics or melodrama, the scene hinges on nuanced listening and the intricate history between two sophisticated women. Casting directors can clearly observe an actor's ability to hold space, communicate vulnerability, and sustain dramatic tension without rushing the dialogue.

    Best Suited For

    This piece is ideal for female actors aged fifty-five and above who fit sophisticated, vulnerable, or intense casting types. It serves as powerful material for self-tapes, drama school auditions, agent showcases, and general scene study. Experienced character actors and leading performers will find rich opportunities to display maturity and grounded naturalism.

    Performance Tips

    Resist the urge to lean into heavy sorrow or overt tears, as Martha's strength comes from her calm, matter-of-fact clarity about her decision. If playing Ingrid, allow the physical paralysis and shock to register in the body before speaking, rather than demonstrating immediate outward panic. Pay close attention to the rhythm of the conversation, using silence and stillness to let the reality of the proposition settle between both characters.

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