Film
duologue
Comedy-Drama
Romance

Mrs. Robinson, You Are Trying to Seduce Me

from The Graduate

Written by Buck Henry

The Graduate

Mrs. Robinson lures a nervous Benjamin back to her house, leading to a tense and awkward confrontation where he realizes her true intentions.

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Scene PreviewExcerpt — subscribe to read full scene

MRS. ROBINSON

Would you mind walking ahead of me to the sun porch. I feel funny about coming into a dark house.

BEN

But it’s light in there now.

MRS. ROBINSON

Please.

MRS. ROBINSON

What do you drink? Bourbon?

BEN

Look - I drove you home. I was glad to do it. But I have some things on my mind. Can you understand that?

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Scene Notes & Audition Tips

5 sections
About This Scene

This iconic duologue from "The Graduate" captures a pivotal moment of escalating tension and awkward seduction between Mrs. Robinson and the much younger Ben. Mrs. Robinson masterfully manipulates a nervous Ben into her home, where her true intentions slowly become unsettlingly clear to him. The scene is rich with subtext, uncomfortable pauses, and a power dynamic that shifts subtly yet definitively, illustrating a classic exploration of boundaries and manipulation.

Character Analysis

Mrs. Robinson is presented as a sophisticated, yet deeply vulnerable and manipulative character, embodying the "Femme Fatale" archetype with a complex inner life. Her dialogue is laced with implied meaning, using feigned fragility and suggestive questioning to disarm Ben and pursue her desires. Ben, on the "Everyman" side, is initially naive, awkward, and trying to be polite, but grows increasingly uncomfortable as he grapples with the realization of Mrs. Robinson's intent. He starts off trying to establish boundaries, but finds himself drawn into her web, revealing a subtle internal struggle with polite compliance versus self-preservation.

Why This Works for Auditions

This scene is a fantastic choice for auditions because it showcases an actor's ability to navigate complex subtext, awkward social situations, and intense emotional shifts. The interplay of seduction, tension, and Ben's dawning realization provides ample opportunity for nuanced facial expressions and physical acting, even within limited movement. It allows both actors to demonstrate a strong command of character development and the ability to build and sustain palpable tension, making it compelling viewing for any casting director.

Best Suited For

This scene is exceptionally well-suited for actors in the 35-45 age range, particularly those looking to portray "Femme Fatale" or "Everyman" casting types. It's ideal for a drama school audition, where demonstrating a sophisticated understanding of character and intention is paramount, or an agent showcase to highlight range in comedy-drama. Its intensity and precise character work also make it excellent for a self-tape or general practice, offering a rigorous exercise in emotional precision and dynamic relationship portrayal.

Performance Tips

For Mrs. Robinson, focus on the deliberate pace of her dialogue and the seductive power of her pauses; her vulnerability is often a calculated tool. Use subtle physical adjustments and vocal inflections to convey her underlying agenda without explicitly stating it. For Ben, lean into the awkwardness and the slow burn of his realization; his physical discomfort and attempts to maintain polite distance are key to his character arc. Pay close attention to the shifts in eye contact and the physical space between the characters to highlight the escalating tension and the unspoken power struggle.

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