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    Comedy

    Old Gobbo and Launcelot: Blind Father, Clever Son

    from The Merchant of Venice

    Written by William Shakespeare

    Launcelot Gobbo encounters his blind father, Old Gobbo, who does not recognize him. Launcelot decides to play a prank on his father by confusing him with directions and claiming that 'Master Launcelot' is dead.

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    LAUNCELOT

    Ergo, Master Launcelot. Talk not of Master Launcelot, father; for the young gentleman, according to Fates and Destinies and such odd sayings, the Sisters Three and such branches of learning, is indeed deceased, or, as you would say in plain terms, gone to heaven.

    GOBBO

    Marry, God forbid! the boy was the very staff of my age, my very prop.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This classical comedic duologue from William Shakespeare's play *The Merchant of Venice* captures a humorous encounter driven by mistaken identity. When the blind Old Gobbo asks for directions, his son Launcelot chooses mischief over direct assistance. Rather than identifying himself immediately, Launcelot teases his father with dizzying instructions and dramatic claims about his own demise, creating a buoyant exchange filled with wordplay and playful filial tension.

    Character Analysis

    Launcelot is an inventive comic relief character who thrives on wordplay, rapid misdirection, and theatrical bravado. He relishes the chance to test his father's wits while orchestrating a spirited jest. Old Gobbo, by contrast, is an earnest, humble father whose blindness leaves him reliant on strangers. His sincere devotion to his boy contrasts sharply with Launcelot's cheeky games, giving the interaction an endearing core beneath the surface comedy.

    Why This Works for Auditions

    This two-minute scene is an exceptional vehicle for actors seeking to demonstrate classical comedic timing without falling into stiff delivery. The lively prose dialogue allows performers to explore naturalistic banter, heightened physicality, and rapid vocal agility. Because the dynamic hinges on active listening and shared momentum, casting panels can clearly observe how well partners bounce comedic energy off one another.

    Best Suited For

    This piece is ideally suited for drama school auditions, acting competitions, and general scene study where a classical comedy duologue is needed. It provides fantastic material for character actors and comedic types looking to showcase broad wit alongside genuine connection. While tailored to performers in the eighteen to twenty-five age bracket for Launcelot, it offers great versatility for character work across differing physical types.

    Performance Tips

    Maintain a crisp, driving pace so the wordplay stays buoyant and never feels overly academic. The actor playing Launcelot must ensure the prank stems from youthful mischief rather than cruelty, letting warmth show beneath the teasing. For Gobbo, commit fully to the physical reality of sightlessness without lapsing into caricature. Specific spatial choices will make the misdirection clear, funny, and engaging for the audience.

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