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    Film
    duologue
    Drama

    One Last Cigarette at the Window

    from Peter Hujar's Day

    Written by Ira Sachs

    Peter Hujar's Day

    Peter describes his restless night and his observations of sex workers outside his window to Linda as he struggles with his smoking habit.

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    Scene PreviewExcerpt — subscribe to read full scene

    LINDA

    You put a lot of energy into smoking that you could be using in other ways.

    PETER

    It’s no good, I know.

    LINDA

    It upsets me, it really does.

    PETER

    I wish I could stop. I don’t feel good. I have smoker’s hangover all day long. Oh, then the harpsichord and I brushed my teeth. I set the clock for ten and I go to bed. And I fall asleep almost…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Ira Sachs for the film Peter Hujar's Day, this contemporary dramatic duologue captures a quiet, late-night exchange between Peter and Linda. Standing beside an open window with a cigarette, Peter reflects on his struggles with quitting smoking and shares a vivid story about insomnia and watching the street life below his apartment. The scene explores themes of urban intimacy, addiction, and observational detachment with an understated, vulnerable tone.

    Character Analysis

    Peter is an observant, restless individual wrestling with destructive habits and physical weariness. His keen eye for small, urban details reveals an introspective mind that notices beauty and strangeness even amidst personal exhaustion. Linda serves as an affectionate, grounded presence whose candid concern creates a safe harbor for Peter, prompting him to unpack his nighttime routine with honesty and ease.

    Why This Works for Auditions

    This piece offers actors a masterclass in subtlety, demanding naturalism and strong narrative delivery without relying on loud conflict or heightened melodrama. Because Peter carries the bulk of the storytelling while in direct dialogue with Linda, the performer can demonstrate active listening, sensory memory, and the ability to command attention through quiet reflection. It works brilliantly on camera, where micro-expressions and genuine vocal intimacy translate effectively to casting directors.

    Best Suited For

    This piece is tailored for actors aged 25 to 35 who fit Everyman, Outsider, Vulnerable, Intense, or Leading Man casting types. It serves as an exceptional selection for self-tape submissions, agent showcases, and general classroom practice focusing on contemporary realism and internal life.

    Performance Tips

    Resist the urge to play the physical fatigue or the smoking habit too heavily, as overplaying physical states can distract from the internal rhythm of the text. Focus instead on the sensory details of Peter's story, letting the images of the night street form in your mind before speaking them aloud. Treat Linda not as an audience, but as an intimate confidante with whom you share a deep history, allowing the conversational pacing to feel effortless and real.

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