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    Comedy-Drama

    Polixenes: Wipe Not Out the Rest

    from The Winter's Tale

    Written by William Shakespeare

    King Polixenes implores his trusted advisor Camillo not to return to Sicilia, expressing his deep reliance on him while mourning the tragic history of his estranged friend Leontes.

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    POLIXENES

    As thou lovest me, Camillo, wipe not out the rest of thy services by leaving me now: the need I have of thee thine own goodness hath made; better not to have had thee than thus to want thee: thou, having made me businesses which none without thee can sufficiently manage, must either stay to execute them thyself or take away with thee the very…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    In William Shakespeare's classical comedy-drama *The Winter's Tale*, King Polixenes addresses his trusted advisor Camillo in an urgent, emotional appeal. Polixenes implores Camillo not to depart for Sicilia, stressing his profound reliance on the counselor's loyalty and administrative capabilities. The speech navigates complex emotional territory, moving from gratitude to the lingering grief surrounding his estranged brother-king Leontes, before ultimately pivoting toward paternal concern over his own son, Prince Florizel.

    Character Analysis

    Polixenes embodies a ruler balancing the heavy obligations of royal authority with deeply vulnerable personal attachments. He views Camillo not simply as an official, but as an indispensable confidant whose departure would destabilize both state affairs and personal peace. Simultaneously, Polixenes carries the haunting memory of past fractures, revealing a leader whose public composure is constantly tested by private grief and fatherly concern.

    Why This Works for Auditions

    Running approximately ninety seconds, this monologue provides performers with a compact yet dynamic audition piece that highlights vocal command and emotional depth. The text moves fluidly across diverse objectives, shifting from intimate persuasion and deep-seated regret to sharp, probing questions about family. Audition panels frequently appreciate this speech because it avoids one-note rage, demanding instead that the actor sustain classical elevated language while remaining grounded in urgent, conversational reality.

    Best Suited For

    This selection is best suited for male actors in the 35 to 45 age category pursuing leading man, patriarch, or authority figure roles. It serves as an effective selection for drama school auditions, classical competitions, and general repertoire practice. Actors looking to display elevated classical technique without resorting to overdone soliloquies will find Polixenes to be a sophisticated, versatile vehicle.

    Performance Tips

    Anchor your delivery in the direct relationship with Camillo, keeping your primary objective focused on persuading him to stay. Allow the mention of Sicilia to bring a genuine physical and emotional shift, acknowledging the weight of unresolved history without losing the momentum of the scene. When transitioning to the inquiries about your son, let the authority of the monarch merge with the protective suspicion of a father, giving the conclusion a distinct and compelling energy.

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