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monologue
Comedy
1 Character

Bottom's Dream

from A Midsummer Night's Dream

Written by William Shakespeare

Bottom awakens alone in the woods after his magical transformation and encounter with the Fairy Queen, Titania. He struggles to articulate the profound and surreal nature of his 'vision,' ultimately deciding to have a ballad written about the experience to perform for the Duke.

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BOTTOM

When my cue comes, call me, and I will answer. My next is 'Most fair Pyramus'. Heigh-ho! Peter Quince! Flute the bellows-mender! Snout the tinker! Starveling! God's my life, stolen hence and left me asleep! I have had a most rare vision. I have had a dream past the wit of man to say what dream it was. Man is but an ass if he go about to expound this…

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Scene Notes & Audition Tips

5 sections
About This Scene

This monologue, often referred to as "Bottom's Dream," showcases Bottom's hilarious and bewildered reaction upon waking from his magical transformation and encounter with the Fairy Queen, Titania. He attempts to grasp the surreal events he's just experienced, finding himself utterly incapable of articulating the profound strangeness of his "vision." The scene concludes with his self-important decision to commission a ballad about his dream for a future performance, adding another layer of comedic irony.

Character Analysis

Bottom is the quintessential everyman, a weaver by trade, yet he possesses an inflated sense of his own talents and importance. In this scene, his core attributes of being self-important, yet also genuinely bewildered, come to the fore. He grapples with an experience beyond his comprehension, attempting to intellectualize something inherently magical and illogical, which highlights his working-class and somewhat unrefined nature. His whimsical tone and the almost child-like grandeur he assigns to his inexplicable dream are key to understanding his character in this moment.

Why This Works for Auditions

This monologue is an excellent choice for auditions because it provides a strong comedic arc within a short timeframe. It allows an actor to showcase their ability to handle classical text while imbuing it with genuine humor and vulnerability. The shift from bewilderment to a sudden, self-aggrandizing plan for a ballad demonstrates a good range for a character actor, making it memorable for casting directors.

Best Suited For

This monologue is particularly well-suited for character actors and those who excel at comedic relief roles, especially within a classical context. It’s ideal for adult male actors with a strong physical presence and a knack for playing the "everyman" type with a dash of overstated self-importance. This piece would shine in drama school auditions, agent showcases, or general practice, offering a robust display of an actor's ability to command the stage with both humor and depth.

Performance Tips

When performing this monologue, lean into Bottom's earnest bewilderment, making his struggle to articulate his dream truly palpable and humorous. Emphasize the physical comedy inherent in his confusion and his almost frantic attempts to make sense of the nonsensical. Pay close attention to Shakespeare's language, allowing the rhythmic flow to guide your interpretation, but always ground it in Bottom's genuine, if misguided, emotional journey. Finally, embrace his self-importance in the latter half, allowing the decision to commission a ballad to be a moment of grand, comedic triumph for him.

CharactersBottom
Duration1:00
Age RangeAdult
GenderMale
GenreComedy
PeriodClassical
Formatmonologue
SourceA Midsummer Night's Dream
ToneWhimsical, bewildered, self-important
AccentRP or West Country
Suitable Fordrama school audition, agent showcase, general practice, competition
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