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    Comedy-Drama

    Polly's I Should Leave Town Monologue

    from True Love

    Written by Charles L. Mee

    Polly contemplates escaping her life while reading absurd classified ads and reflecting on the nature of human temptation and love.

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    POLLY

    I should leave town. Probably—what? I should just leave town. I should go, you know: somewhere. I mean, where no one could find me—and, if I were lucky, I'd forget how to find my way back. I'd get lost.

    She picks up the newspaper and reads

    Wanted: gas station attendant with five to ten years experience to clean pool in exchange for swimming…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Charles L. Mee’s contemporary play True Love features this distinctive, quirky comedy-drama monologue delivered by Polly. In this scene, Polly sits in her bathrobe contemplating leaving town, turning to surreal classified advertisements while wrestling with existential thoughts on human temptation and romantic surrender. Running around two minutes, the monologue bridges dry, absurdist humor with a sudden, startling emotional release that captivates audiences.

    Character Analysis

    Polly is an outsider wrestling with quiet desperation, caught between a desire to vanish completely and an unresolved yearning for affection. Her mundane morning routines mask a deeper crisis of identity, revealing someone whose defenses are wearing remarkably thin. Rather than sinking into one-note sadness, she displays an eccentric, dry wit that keeps her compelling, highly vulnerable, and entirely unpredictable.

    Why This Works for Auditions

    This selection gives actors a rare vehicle to demonstrate deadpan comedic instincts alongside intense psychological friction. The text shifts seamlessly from bizarre humor into profound reflections on temptation and love, offering casting directors a clear look at your emotional range. Because the material embraces surrealism while remaining grounded in genuine stakes, it leaves an indelible impression on selection panels.

    Best Suited For

    This monologue is exceptionally well-suited for female actors aged twenty-five to thirty-five preparing for drama school auditions, agent showcases, or contemporary self-tapes. Performers who excel in character roles, quirky casting brackets, or vulnerable outsider parts will thrive with this unconventional script. It also serves as outstanding material for advanced general practice when developing nuanced comedic timing and physical commitment.

    Performance Tips

    Ground Polly’s strange worldview in absolute reality rather than treating her lines as broad comedy or pure absurdity. When she reads the strange employment ads, treat each prospect as an entirely reasonable escape route fueled by genuine inner necessity. Integrate her physical behavior naturally so the props and actions enhance her mental spiral rather than distract from the text, allowing the final moment of physical shock to carry authentic weight.

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