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    Drama

    Shirley's Radio Call-In What Love Is

    from True Love

    Written by Charles L. Mee

    Shirley delivers a vulnerable and philosophical monologue exploring the mysterious, idiosyncratic, and often embarrassing nature of human desire.

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    SHIRLEY

    Well, what I wanted to say is what I think is—what love is: Love is how you relate to people or, if your love is channeled in some other way it is how you are cold or indifferent or hurtful to another person. And so love is who you are and how you are what kind of person you are it's the most factual thing about how you are. You can't talk your…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    From Charles L. Mee's contemporary drama True Love, this two-minute dramatic monologue presents a striking exploration of human connection and desire. Delivering her thoughts through a radio call-in format, Shirley offers a vulnerable meditation on what love truly represents in everyday behavior. She unspools an intricate sequence of thoughts that moves from a broad philosophical perspective into the raw, idiosyncratic, and often embarrassing reality of physical longing.

    Character Analysis

    Shirley is an intensely self-aware, courageous, and emotionally exposed character. She refuses to shy away from the stranger or more private impulses of attraction, demonstrating an uncompromising commitment to psychological honesty. While her reflections touch on feelings of alienation and embarrassment, she carries an authentic everyman quality that makes her unconventional admissions feel relatable, deeply human, and compellingly nuanced.

    Why This Works for Auditions

    This speech provides an exceptional opportunity for an actor to demonstrate active thinking and seamless shifts between diverse emotional registers. Charles L. Mee crafts contemporary text that avoids predictable dramatic cliches, giving performers room to showcase vocal control, stillness, and layered vulnerability. Casting teams are able to witness your ability to handle complex interiority without having to rely on heightened physical melodrama or anger.

    Best Suited For

    This piece is uniquely suited for female performers in the 25 to 35 age range who fit intense, vulnerable, outsider, or leading lady casting profiles. It functions brilliantly across competitive drama school auditions, industry showcases, self-tapes, and general classroom practice where sustained focus and naturalistic truth are essential.

    Performance Tips

    Anchor Shirley's opening ideas in an urgent desire to communicate rather than delivering them as abstract intellectual theory. Allow each personal realization to emerge spontaneously, letting the confession of embarrassing desires affect your pacing, breath support, and internal rhythm. Keep your physical instrument grounded so that the audience leans in toward your vocal intimacy, watching the thought process unfold in real time.

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