Play
monologue
Tragedy

Posthumus Rails Against Women

from Cymbeline

Written by William Shakespeare

Posthumus Leonatus, believing his wife Imogen has been unfaithful based on false evidence from Iachimo, delivers a vitriolic soliloquy against women, attributing all human vices to 'the woman's part'.

Start a free 7-day trial — 5 downloads a day, unlimited when Pro begins

Rehearse on your terms

Take this monologue into rehearsal and work through it at your own pace.

Scene PreviewExcerpt — subscribe to read full scene

POSTHUMUS LEONATUS

Is there no way for men to be but women

Must be half-workers? We are all bastards;

And that most venerable man which I

Did call my father, was I know not where

When I was stamp'd; some coiner with his tools

End of preview. Continue with Pro below.

7 days freeYour next rehearsal starts here

Found your next scene? Make it yours.

Start your free trial and read Posthumus Rails Against Women in full, with access to 4,500+ monologues and scenes to explore next.

  • Read the full scene and explore the library
  • Download your script in a clean, printable format
  • Take it into rehearsal with the Script Reader
Casting Types
Get Feedback
Coming Soon

Want expert coaching on this scene?

Browse our curated list of acting coaches, dialect specialists, and more.

Find a Coach

Need representation?

Browse verified agents and casting directors in our directory.

Scene Notes & Audition Tips

5 sections
About This Scene

This intense classical monologue comes from William Shakespeare's tragedy Cymbeline. Having accepted false evidence of his wife Imogen's infidelity engineered by Iachimo, Posthumus Leonatus spirals into unchecked fury and despair. Alone on stage, he unleashes a bitter, vitriolic soliloquy against women, attributing all human vices directly to what he sees as their inherent nature. It stands as a pivotal moment of emotional collapse in the play, capturing the destructive power of perceived betrayal.

Character Analysis

Posthumus Leonatus is a dramatic leading man who is completely overwhelmed by sudden grief, wounded pride, and blinding jealousy. His deep devotion to his wife has curdled into pure loathing, driving him to cast aside his reason and embrace utter cynicism. Instead of confronting his own emotional devastation, he externalizes his agony into a sweeping, irrational tirade against womanhood itself. This volatile combination makes him both profoundly dangerous and deeply pathetic in his suffering.

Why This Works for Auditions

Running roughly two minutes, this monologue gives actors a formidable vehicle for showcasing classical verse capability alongside raw, visceral emotion. The text avoids the overfamiliarity of more famous speeches while delivering comparable dramatic intensity and vocal demands. Audition panels will clearly see your ability to handle complex classical language, sustain high stakes, and articulate intricate lists of grievances without sacrificing clarity or breath support.

Best Suited For

This monologue is ideally suited for male actors in the twenty-five to thirty-five age bracket who are preparing for drama school auditions, classical acting competitions, or advanced general practice. Performers with casting types aligned with intense, dramatic leading men will find the role especially compelling. It offers a prime opportunity to demonstrate that you can inhabit a difficult, unlikable perspective with utter conviction and craft.

Performance Tips

Resist the urge to sustain one monotonous level of shouting throughout the monologue. The vitriol is far more terrifying if rooted in the genuine heartbreak and profound shock of a man who believed his wife was entirely pure. Track the rapid succession of thoughts as his mind jumps from disbelief to graphic imagination and outward cursing, utilizing Shakespeare's rhythmic structure to propel the anger forward. Keep your diction crisp through every catalogue of human flaws so the rhetoric lands with biting precision.

Explore this topic