Skip to content
    Film
    duologue
    Thriller
    Drama

    Someone Out of the Past

    from Vertigo

    Written by Alec Coppel, Samuel A. Taylor

    Vertigo

    Elster attempts to convince his old friend Scottie, a retired detective, to follow his wife, claiming she is possessed by a spirit from the past.

    Start a free 7-day trial — 5 downloads a day, unlimited when Pro begins

    Rehearse this scene
    Rehearse on your terms

    Choose your role and voices for the other characters. Run the scene at your own pace.

    Scene PreviewExcerpt — subscribe to read full scene

    ELSTER

    I asked you to come up here, Scottie, knowing that you had quit detective works, but I wondered whether you would go back on the job -- as a special favor to me.

    ELSTER

    I want you to follow my wife.

    ELSTER

    Not what you think. We're very happily married.

    SCOTTIE

    Then?

    ELSTER

    I'm afraid some harm may come to her.

    End of preview. Continue with Pro below.

    7 days freeYour next rehearsal starts here

    Found your next scene? Make it yours.

    Start your free trial and read Someone Out of the Past in full, with access to 5,500+ monologues and scenes to explore next.

    • Read the full scene and explore the library
    • Download your script in a clean, printable format
    • Take it into rehearsal with the Script Reader
    Casting Types
    Get Feedback
    Coming Soon

    Want expert coaching on this scene?

    Browse our curated list of acting coaches, dialect specialists, and more.

    Find a Coach

    Need representation?

    Browse verified agents and casting directors in our directory.

    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This intense duologue from the classic thriller *Vertigo* introduces a complex and unsettling proposition between two old friends, Elster and Scottie. Elster, a sophisticated businessman, enlists the help of Scottie, a recently retired detective with a fear of heights, for a highly unusual request. The scene quickly establishes a mood of psychological intrigue as Elster reveals his deep-seated fear that his wife is being possessed by a spirit from the past, challenging Scottie's rational, pragmatic worldview.

    Character Analysis

    Elster is presented as a man driven by a profound and seemingly irrational fear, yet he maintains a sophisticated and calculated demeanor. His objective is to convince Scottie, leveraging their past friendship, to undertake a task that others would dismiss as madness. Scottie, on the other hand, is a grounded and skeptical individual, grappling with his own recent trauma and exhibiting a weary yet sharp intelligence. His character arc within this scene shifts from mild curiosity to incredulity, finally settling into a professional inquiry despite his disbelief in Elster's supernatural claims.

    Why This Works for Auditions

    This scene offers a fantastic opportunity to showcase an actor's ability to navigate complex emotional and intellectual shifts. For Elster, it demands a delicate balance between desperation, conviction, and a veneer of controlled rationality, even while discussing fantastical concepts. For Scottie, the challenge lies in conveying skepticism and a professional detachment that slowly gives way to genuine curiosity and a hint of concern, despite his logical objections. The duologue format allows both actors significant stage time to develop their characterizations and demonstrate nuanced acting.

    Best Suited For

    "Someone Out of the Past" is ideal for male actors aged 35-45 looking for audition material that highlights strong dramatic presence and intellectual depth. It is particularly well-suited for actors aiming for roles such as Leading Man, Detective, or Business Executive, and for those who can embody an Intense or Sophisticated casting type. This scene shines in agent showcases, self-tapes, and general practice sessions where the goal is to demonstrate a compelling ability to handle suspense and psychological drama.

    Performance Tips

    When approaching Elster, focus on the underlying desperation and conviction that fuels his seemingly outlandish request. Lean into the mystery, allowing the audience to question whether he is genuinely afraid, manipulative, or even delusional. For Scottie, ground your performance in his detective instincts and rational mind, letting his disbelief be clear but not dismissive. Explore the internal conflict between his professional curiosity and his personal skepticism, allowing his journey from polite skepticism to an almost grudging investigation to unfold authentically.

    No ratings yet
    Sign in to rate