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duologue
Comedy-Drama

Speed-the-Plow — Nobody Loves Me For Myself

from Speed-the-plow

Written by David Mamet

Two Hollywood producers, Gould and Fox, discuss a new temporary worker. Gould, feeling unloved, bets Fox that he can get the woman to go to bed with him, despite Fox's skepticism about her interest.

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GOULD. You mean nobody loves me for myself.

Fox. No.

GOULD. No?

Fox. Not in this office . . .

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Scene Notes & Audition Tips

5 sections
About This Scene

This engaging comedy-drama duologue, "Nobody Loves Me For Myself," is extracted from David Mamet's play *Speed-the-Plow*. It features two male Hollywood producers, Gould and Fox, navigating a cynical conversation about a new temporary worker in their office. The scene is driven by Gould's insecure musings about being unloved and his subsequent challenge to Fox, sparking a bet about his ability to seduce the new woman. Set in a contemporary Hollywood office environment, this piece offers a sharp-witted exploration of power dynamics and male bravado.

Character Analysis

Gould is presented as the more insecure and ego-driven of the two. He projects a need for validation, masked by a veneer of casual cynicism and a desire to prove himself, particularly in the realm of personal charm. Fox, on the other hand, comes across as a more grounded, perhaps weary, observer of human nature, who is not above engaging in, and profiting from, Gould's vulnerabilities. Both characters exude an air of professional bluntness and a casual disregard for societal niceties, typical of their high-stakes environment where relationships are often transactional.

Why This Works for Auditions

This scene is a fantastic choice for auditions due to its dynamic interplay and the clear, contrasting objectives of both characters. The quick, overlapping dialogue, a hallmark of Mamet's style, provides excellent opportunities to showcase strong listening skills and rapid-fire comedic timing. It allows actors to delve into complex emotional layers beneath the comedic surface, revealing vulnerability, cynicism, and power plays within a short duration. The distinct voices of Gould and Fox offer substantial material for character differentiation, making it ideal for demonstrating versatility.

Best Suited For

This duologue is an excellent fit for male actors aged 35-45 looking for material that highlights both comedic and dramatic acting prowess. It's particularly well-suited for actors aiming for business executive, intense, or character actor roles, as well as those with strong comedic timing. Its contemporary setting and themes of power dynamics and ego make it highly relevant for agent showcases, self-tapes, and general practice, offering a compelling showcase for actors who can handle sharp dialogue and nuanced character work.

Performance Tips

When tackling this scene, focus on the subtext and unspoken desires driving each character's lines. For Gould, lean into his underlying insecurity and his desperate need to be seen as desirable, even as he tries to appear nonchalant. For Fox, explore the subtle weariness and the amusement he derives from Gould's antics, along with his own self-serving opportunism. Pay close attention to the rhythm and pace of Mamet’s dialogue; the pauses and rapid-fire exchanges are crucial for capturing the scene's comedic and dramatic tension, ensuring every line lands with impact.

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