Film
duologue
Thriller

The 911 Call

from Buried

Written by Chris Sparling

Buried

Paul Conroy, an American truck driver in Iraq, wakes up buried alive in a wooden coffin with only a lighter and a cell phone. In a state of extreme panic and physical distress, he manages to reach a 911 operator in Ohio, only to realize the bureaucratic and geographical impossibility of receiving immediate help from them.

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Scene PreviewExcerpt — subscribe to read full scene

PAUL

Come on, come on. What was it?

He screams aloud again, hoping someone can hear him

PAUL

Help me! Please! Somebody help me!

FEMALE 911 OPERATOR

911. What’s the problem, sir?

PAUL

I’m buried. You have to help me. You have to help me, I can’t breathe...

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Scene Notes & Audition Tips

5 sections
About This Scene

This gripping duologue, "The 911 Call" from the film *Buried*, plunges actors into an intensely claustrophobic and desperate situation. It features Paul, a man buried alive in a coffin in Iraq, as he desperately tries to contact emergency services in Ohio, highlighting the terrifying absurdity and profound frustration of his predicament. This scene offers a powerful exploration of human resilience and vulnerability under unimaginable pressure.

Character Analysis

Paul is in an extreme fight-or-flight state, defined by sheer terror and a desperate will to survive. His frantic attempts to communicate with the outside world showcase vulnerability and a rapidly unraveling emotional state, yet beneath the fear is a flicker of hope and determination. The Female 911 Operator, on the other hand, represents the impersonal bureaucracy and procedural detachment that unwittingly become Paul's torment. She is likely professional and accustomed to calls, yet her character can subtly convey a growing bewilderment or even a touch of exasperation as Paul's impossible situation unfolds.

Why This Works for Auditions

This scene is a fantastic choice for auditions because it demands immediate high stakes and intense emotional commitment from the actor portraying Paul. It allows for a visceral, physical performance even within the confined space of a self-tape, showcasing an actor's ability to convey extreme distress, frustration, and a desperate plea for help. For the Female 911 Operator, it provides an opportunity to ground a character in professionalism while subtly reacting to an increasingly unbelievable scenario, demonstrating nuanced listening and reaction skills.

Best Suited For

"The 911 Call" is ideally suited for actors in their 30s-40s auditioning for roles requiring intense emotional depth, vulnerability, or a commanding presence under duress, particularly for leading man or everyman types. It is also suitable for actresses in their 20s-50s who can portray authority figures with a grounded, professional demeanor, yet possess the ability to subtly convey shifts in understanding or frustration. This scene is excellent for drama school auditions, self-tapes, and general practice for those looking to work on high-stakes material.

Performance Tips

For Paul, focus on the physical and vocal manifestations of panic, but ensure there's a strong underlying drive to survive, preventing the performance from simply becoming a scream-fest. Explore moments of frantic action contrasted with brief, desperate pleas for understanding. For the Female 911 Operator, aim for a calm, procedural tone initially, allowing Paul's escalating desperation to slowly chip away at her composed exterior. Pay close attention to vocal shifts that indicate her processing of the increasingly bizarre and geographically impossible nature of Paul's call.

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