Film
duologue
Thriller, Corporate Drama
2 Characters

The CRT Termination Call

from BURIED

Written by Chris Sparling

Trapped in a coffin in Iraq, Paul Conroy receives a call from his employer's personnel director, Alan Davenport. Instead of offering help, Alan cold-bloodedly informs Paul that he has been fired for a contract violation to ensure the company avoids paying out his life insurance to his family.

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ALAN DAVENPORT

Is this Paul Conroy?

PAUL

Yes. Yes, this is Paul. Who are you?

ALAN DAVENPORT

Paul, my name’s Alan Davenport, I’m the personnel director here at Crestin, Roland and Thomas.

PAUL

I left you a message.

ALAN DAVENPORT

You did. I also heard from Rebecca Browning over at the State Department. Are you able to speak of the status of your situation?

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Scene Notes & Audition Tips

5 sections
About This Scene

This gripping duologue, "The CRT Termination Call," plunges two male characters, Paul and Alan Davenport, into a tense and profoundly unfair conversation. It explores the depths of corporate cynicism and a desperate plea for help against a backdrop of life-or-death stakes. The scene's highly charged atmosphere and stark power imbalance make it a compelling exploration of human vulnerability and calculated cruelty.

Character Analysis

Paul is an "Everyman" trapped in an unimaginable nightmare, a man whose desperation is palpable and rapidly escalating. His journey in this scene moves from bewildered hope to furious despair as he grapples with the cold truth of his employer’s intentions. Alan Davenport, on the other hand, embodies the "Authority Figure" and "Business Executive," showing a chilling detachment and prioritizing corporate interests over a human life. He is calculating, manipulative, and utterly without empathy, making him a complex "Villain" of the corporate world.

Why This Works for Auditions

This scene is an excellent choice for auditions as it immediately establishes high stakes and allows actors to showcase a wide range of emotions. For Paul, it's an opportunity to convey extreme fear, frustration, and betrayal, building to an explosive emotional release. For Alan, it demands a nuanced portrayal of cold, calculated professionalism masking a deep-seated amorality, requiring precise vocal control and a chillingly calm demeanor. The phone call format makes it perfect for self-tapes, allowing actors to focus on their emotional and vocal performance without complex blocking.

Best Suited For

This scene is ideally suited for male actors in their 40s, with Alan's role extending to the 40s-60s range, making it versatile for different age pairings. It caters well to actors looking to demonstrate their ability to handle intense dramatic material, particularly those interested in thriller or corporate drama genres. It’s an effective piece for actors portraying characters experiencing extreme duress or those embodying cold, indifferent authority figures.

Performance Tips

For Paul, focus on the physical manifestation of his confinement and growing panic, even though it's a phone call – allow his vocal performance to convey his physical state. His anger should stem from a profound sense of injustice and fear. For Alan, the key is to maintain a professional, almost bureaucratic tone, which makes his words even more cutting. Resist the urge to play him as overtly villainous; instead, embody his corporate detachment and unwavering focus on company interests. The contrast between Paul's desperation and Alan's composure is what gives this scene its incredible power.

CharactersPaul, Alan Davenport
Duration00:04:00
Age Range40s & 40s-60s
GenderMale & Male
GenreThriller, Corporate Drama
PeriodContemporary
Formatduologue
SourceBURIED
ToneInfuriating, cold, desperate, cynical
AccentAmerican
Suitable Foragent showcase, self tape, general practice
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