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An art critic reflects on the shocking televised event involving the Prime Minister one year later, recontextualizing the national trauma as a massive piece of performance art. The scene highlights the public's complicity in the event and the unexpected political resilience of the Prime Minister.
GREG: There’s no rule that says art must be admirable or even enjoyable. The best art often unsettles us, which this certainly did. And of course it was the single biggest artistic collaboration in history, one in which all of us took part.
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