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monologue
Drama

The Boys - Pregnancy Monologue

from The Boys

Written by Gordon Graham

A young mother reflects on the trauma of a past assault and her profound relief at giving birth to a son rather than a daughter. She expresses deep-seated fears about the inherent dangers and societal pressures faced by women in a violent world.

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UNNAMED WOMAN

WOMAN: Yeah, hah, you know the first thing I said to meself after the birth? I said, thank God it's not a girl. 'Cause I'd been thinkin' you know, about what happened to that girl that night. Thinkin' about all sorts of things blokes might do to my girl if she was pretty, and all the things she'd have to cop if she wasn't. Either way she'd lose.

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Scene Notes & Audition Tips

5 sections
About This Scene

This dramatic monologue, simply titled "The Boys - Pregnancy Monologue," offers a raw and deeply vulnerable exploration of a young woman's post-birth reflections. Penned by Gordon Graham, this piece delves into the profound anxieties and lingering trauma experienced by the unnamed Woman as she grapples with the realities of motherhood in a world she perceives as inherently dangerous for females. It's a powerful and affecting piece that provides ample opportunity for an actor to showcase depth and emotional range.

Character Analysis

The unnamed Woman presented in this monologue is a deeply complex and vulnerable individual, wrestling with past trauma and present fears. Her relief at having a son, rather than a daughter, is born from a heartbreaking and visceral understanding of the threats and injustices women face. She embodies a working-class sensibility, likely shaped by harsh realities, which colors her perspective on societal pressures and gender dynamics. This character carries a heavy emotional burden, yet her expression of fear is also an act of profound love and protection for her child.

Why This Works for Auditions

This monologue is an excellent choice for auditions due to its immediate emotional impact and clear arc. It provides a contemporary female character with significant internal conflict, allowing an actor to demonstrate vulnerability, dramatic intensity, and the ability to convey complex emotions in a short timeframe. The themes of motherhood, trauma, and social commentary are highly resonant, offering a rich tapestry for performance without relying on complicated staging or extensive character interaction.

Best Suited For

This monologue is best suited for actors in the 18-25 age range who can authentically embody an Ingenue, Vulnerable, or Dramatic casting type, particularly those comfortable portraying working-class sensibilities. It is ideal for drama school auditions, self-tapes, and general audition practice where a powerful, emotionally charged dramatic piece is required. Actors capable of conveying deep-seated fear alongside a protective maternal instinct will particularly excel with this material.

Performance Tips

When approaching this monologue, focus on rooting the character's profound relief in the specifics of her past trauma and her present fears. Allow her vulnerability to be palpable, but ensure it doesn't manifest as weakness; rather, it’s a strength born from deep understanding and protective instinct. Consider how her working-class background might influence her cadence and word choice, adding authenticity to her voice. Explore the subtext of each statement, allowing the actor to convey not just the words but the full weight of the unspoken fears and experiences driving her emotional revelation.

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