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    Film
    duologue
    Drama

    The Broken Ice Machine

    from The Florida Project

    Written by Sean Baker, Chris Bergoch

    The Florida Project

    Bobby and Jack struggle to move a heavy ice machine while Bobby becomes increasingly agitated over an unwanted birthday message sent to his daughter.

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    Scene PreviewExcerpt — subscribe to read full scene

    BOBBY

    I told you, you got to spin it.

    JACK

    I am.

    BOBBY

    Clockwise.

    JACK

    This is clockwise.

    BOBBY

    Oh yeah. Okay. Well, counterclockwise.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Sean Baker and Chris Bergoch, this contemporary drama duologue centers on Bobby and Jack as they struggle to move a heavy, broken ice machine into an elevator. What begins as an exhausting exercise in manual labor quickly turns volatile when Jack reveals he passed along an unwanted birthday greeting to Bobby’s daughter. The scene captures a sharp collision between workplace stress and private family grief, making it a compelling two-minute interaction.

    Character Analysis

    Bobby is a working-class man carrying tremendous emotional weight beneath a stressed, commanding exterior. When he discovers that a message was sent to his daughter against his wishes, his irritation flares into acute distress, exposing a desperate need to retain control over an estranged relationship. Jack serves as a pragmatic and blunt counterpart who agreed to help on his day off, but he possesses little patience for Bobby's erratic temper and refuses to endure unearned hostility.

    Why This Works for Auditions

    This scene offers actors a fantastic opportunity to balance demanding physical action with intense interpersonal conflict. Performing while navigating an imagined heavy physical load instantly roots actors in their bodies, preventing the delivery from feeling static or overly rehearsed. The dialogue moves with authentic, overlapping rhythms that showcase strong subtext, vocal range, and grounded realism within a brief running time.

    Best Suited For

    This material is ideally tailored for male performers in the forty-five to fifty-five age range who naturally play everyman, working-class, or intense character types. Because it establishes clear stakes and high tension right from the opening beat, it works exceptionally well for self-tapes, agent showcases, and general scene study practice.

    Performance Tips

    Ground your performance in the genuine physical exertion of handling bulky, awkward equipment so that your breath and physical frustration feel organic. Bobby should avoid playing pure anger; the hostility is a defense mechanism masking deep regret and wounded pride. For Jack, resist the urge to turn entirely hostile right away, allowing your final refusal to help land as a direct, rational reaction to Bobby's overbearing behavior. Keep the rhythm swift and let the labor fuel the pacing.

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