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    Film
    duologue
    Comedy
    Drama

    The Business of Death

    from Burke & Hare

    Written by Piers Ashworth, Nick Moorcroft

    Burke & Hare

    Lucky pitches a new business model to Hare, suggesting they open a funeral parlour to hide their body-snatching crimes while charging grieving families.

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    Scene PreviewExcerpt — subscribe to read full scene

    LUCKY

    You know...you got a good business going Willy.

    HARE

    I know...I know...

    LUCKY

    But the problem is product acquisition.

    HARE

    What?

    LUCKY

    Killing people. That's how you acquire your product. It's not efficient.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This duologue from *Burke & Hare* presents a darkly comedic pitch for a macabre business venture. Lucky, a cunning and pragmatic individual, lays out a new, more efficient, and seemingly legitimate plan to expand their body-snatching enterprise to Hare, who is initially preoccupied. The scene unfolds during an intimate moment, adding an absurd layer to the conversation about exploiting grief for profit. It’s a brilliant showcase of scheming, manipulation, and the bizarre logic of its central characters, set in a contemporary period as indicated by its tone and themes.

    Character Analysis

    Lucky is the brains and the driving force behind this particular scheme, demonstrating sharp, albeit twisted, entrepreneurial spirit. They are a character driven by efficiency and profit, willing to rationalize morally dubious actions into "good business." Hare, on the other hand, is more focused on the immediate physical interaction but is ultimately swayed by Lucky's persuasive arguments about money and practicality, revealing a more easily led or perhaps less imaginative partner. Both characters occupy the anti-hero archetype, deeply entrenched in their criminal activities but presented with a comic touch, making their dark partnership oddly compelling.

    Why This Works for Auditions

    This duologue is an excellent choice for auditions because it immediately establishes clear, contrasting character dynamics within a comedic framework. The scene provides ample opportunity for actors to play with rhythm, tone, and active listening, especially given Hare's initial distraction. The evolving power dynamic, from Lucky's initial persuasion to Hare's eventual excitement, allows for a full range of performance within a short duration. Its contemporary tone, despite the period source material, makes it highly relevant for modern casting, and the dark humor showcases an actor's ability to navigate nuanced material.

    Best Suited For

    This scene is particularly well-suited for actors in the 25-35 age range looking to showcase their comedic timing and ability to portray complex, morally ambiguous characters. It’s ideal for those seeking roles that fall under casting types like Criminal, Anti-Hero, or Comic Relief, especially if they can embody a Working Class or Everyman sensibility with an edge. Actors who can balance genuine sincerity with underlying dark humor will excel here. It’s perfect for a general practice session, a compelling self-tape, or an agent-showcase looking to highlight versatility in dark comedy.

    Performance Tips

    Focus on the subtext and intentions of each line, particularly Lucky's calculating persuasion and Hare's shifting attention. For Lucky, consider how they use the intimate setting to their advantage, maintaining focus on the business proposal despite the physical distraction. For Hare, explore the journey from physical engagement to intellectual absorption, showing how the "fantastic idea" gradually takes hold. Pay close attention to the pacing as the proposal unfolds, building the humor through the incongruity of the setting and the grim subject matter. Lean into the "dark comedy" aspect, finding the humor in the characters' amorality rather than playing it purely for laughs.

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