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    monologue
    Comedy-Drama
    Thriller

    The Hitman's Confession

    from Barry

    Written by Alec Berg, Bill Hader

    Barry

    A disillusioned hitman delivers a raw, honest confession to an acting teacher about his history as a professional killer. He struggles with his lack of remorse and the emptiness of his violent life while searching for a new sense of purpose.

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    Scene PreviewExcerpt — subscribe to read full scene

    BARRY

    I kill people for a living. Cousineau stops -- I mean real people. More than a hundred I think. And that’s not counting any target defeats from the service. And I was good; I just took to it I guess. I did two deployments, met and lost my best friends, and, uh, then came home... I’m going to sell frozen yogurt when I know how to do all this stuff? I…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Alec Berg and Bill Hader for the contemporary comedy-drama series Barry, this monologue captures an unconventional existential crisis. Barry speaks openly to an acting teacher, laying bare his violent background as a military veteran turned contract killer. Seeking a new sense of purpose, he articulates the emptiness of his profession and confronts his disturbing lack of emotional remorse.

    Character Analysis

    Barry is a complex blend of an ordinary loner and a lethal anti-hero. Carrying the heavy discipline of his past military service, he functions with efficient detachment but is quietly unraveling beneath the surface. His vulnerability emerges not from dramatic self-pity, but from genuine bafflement at his own emotional numbness. He is a man who drifted into contract killing simply because he was skilled at it, yet he now yearns for a path out of the violence.

    Why This Works for Auditions

    Clocking in at approximately one and a half minutes, this piece delivers immediate dramatic impact with an unusual edge of dark humor. It allows casting directors to see an actor handle high-stakes material with restraint, avoiding the melodrama often associated with criminal confessions. The monologue demands an unsettling authenticity that challenges an actor to remain grounded, making it an exceptional display of subtext and emotional nuance.

    Best Suited For

    This monologue is an ideal fit for male actors playing in the 35 to 45 age range who lean into anti-hero, military, loner, or intense casting types. Because of its quiet tension and direct address, it functions brilliantly for self-tapes, agent showcases, drama school auditions, and general practice. Actors who excel at portraying understated conflict while maintaining an approachable everyman quality will find this material especially rewarding.

    Performance Tips

    Resist the urge to play the confession with heavy theatrical villainy or brooding guilt. Barry’s psychological disconnect is the core of the piece, so deliver the revelation with a matter-of-fact honesty that lets the disturbing reality speak for itself. Keep your focus directed on your listener as you actively search for an answer to your inner numbness. Trust stillness in your body, allowing the simplicity of your voice to highlight the underlying tragedy of a man lost between violence and the desire for reinvention.

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