Tv
duologue
Comedy-Drama

The Only Way Anyone Is Going To Jail

from Barry

Written by Alec Berg, Bill Hader

Barry

Chris, a former Marine, wants to go to the police after he and Barry, a hitman, killed someone. Barry tries to dissuade him, revealing the dangerous consequences for both of them and their families if Chris goes to the authorities. The scene escalates as Chris's desperation clashes with Barry's chilling resolve.

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Scene PreviewExcerpt — subscribe to read full scene

CHRIS Listen: I think we need to go to the cops.

BARRY Chris.

CHRIS We can say it was self-defense-- that they attacked us. Who are they gonna believe? We're fucking Marines--they're criminals!

BARRY Chris...what do you think we were doing out there? What do you think I do for a living?

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Scene Notes & Audition Tips

5 sections
About This Scene

This contemporary duologue from an Emmy-winning television series offers a potent exploration of morality, desperation, and the chilling implications of crime. It features two men, Chris and Barry, entangled in a dangerous situation following a killing. Chris, overwhelmed by guilt, expresses a desperate desire to confess to the police, while Barry, a professional hitman, attempts to dissuade him by revealing the far-reaching and violent consequences their actions could incur. The scene masterfully builds tension as Chris's raw emotional breakdown confronts Barry's cold, calculating resolve, leading to a truly intense and unsettling conclusion.

Character Analysis

Chris is a former Marine wrestling with the severe psychological impact of his involvement in a killing. He represents an everyman thrust into an extraordinary, morally compromising situation, driven by a desperate need for absolution and a return to a normal life with his wife and child. In contrast, Barry is an intense and pragmatic anti-hero, accustomed to the brutal realities of his profession. His character embodies a chilling blend of menace and an unexpected undercurrent of vulnerability, as he attempts to manage the fallout of the botched job and protect his own interests, even if it means manipulating or threatening Chris.

Why This Works for Auditions

This scene is a fantastic choice for auditions because it provides ample opportunity for actors to showcase a wide range of emotions within a compact timeframe. The escalating tension and stark contrast between Chris's emotional distress and Barry's calculated threats allow for dynamic interplay and strong character choices. It demonstrates an actor's ability to handle intense, high-stakes dialogue and portray complex moral dilemmas, making it memorable for casting directors looking for talent capable of nuanced, dramatic performances. The duologue format also highlights an actor's ability to listen and react authentically to their scene partner.

Best Suited For

This scene is best suited for male actors in the 25-35 age range who can convincingly portray characters under extreme duress. It's particularly effective for actors comfortable exploring themes of desperation, guilt, and veiled menace. Performers looking to showcase their ability to embody an "Everyman" pushed to his limits, or an "Anti-Hero" with a chillingly pragmatic worldview, will find this material highly rewarding. It is ideal for self-tapes, general practice, or even competition performances due to its dramatic weight and clear character arcs.

Performance Tips

When approaching this scene, for Chris, focus on the visceral experience of guilt and the mounting desperation to escape a terrifying predicament. Allow his emotional outbursts to feel unrefined and genuine, showcasing the internal turmoil he's experiencing. For Barry, the key is to maintain a sense of controlled threat; the danger should arise from his understated intensity rather than overt aggression. Pay close attention to the beats and shifts in power dynamics, using them to craft a performance that is both chilling and deeply unsettling, highlighting his resolve and the very real consequences he describes.

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