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    The Human Lie Detector

    from Poker Face

    Written by Rian Johnson

    Poker Face

    Sterling reveals he knows Charlie's secret ability to detect lies and offers her a lucrative partnership instead of firing her.

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    Scene PreviewExcerpt — subscribe to read full scene

    CHARLIE

    Charlie Cale, I'm here to get fired.

    STERLING

    Hello Ms. Cale. I'm happy to finally meet you.

    CHARLIE

    Yeah well. Alright.

    STERLING

    Sit down. Something to drink?

    CHARLIE

    No. Like what?

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    From the contemporary drama series Poker Face, written by Rian Johnson, this intense duologue captures an unexpected office confrontation between Charlie and casino executive Sterling. Charlie arrives anticipating that she will be fired, but the conversation takes an unexpected turn when Sterling reveals he knows about her hidden talent for detecting lies. Rather than dismissing her, he uses this knowledge to shift the power dynamic and pitch a lucrative proposition.

    Character Analysis

    Charlie is a sharp, street-smart outsider in her thirties who masks her vulnerability with guarded humor and blunt honesty. Accustomed to being cast out, she approaches authority with cautious pragmatism while constantly reading the room for deceit. Sterling, a business executive in his forties, represents polished corporate authority trying to step out of his father's shadow. He uses charm, storytelling, and an aura of hospitality as tactical tools to manipulate the conversation and maintain control.

    Why This Works for Auditions

    This scene offers two compelling roles driven by sharp subtext and contrasting motivations. Instead of relying on explosive histrionics, the drama thrives on active listening, strategic patience, and psychological maneuvering. Actors have ample room to demonstrate their command of subtext, status shifts, and the subtle mechanics of a high-stakes negotiation.

    Best Suited For

    Running approximately three minutes, this piece is an excellent selection for drama school auditions, agent showcases, self-tape submissions, and general classroom practice. It is particularly valuable for female actors playing in the leading lady or outsider categories in their late twenties to thirties. Performers submitting for corporate, calculating, or intense casting types will also find Sterling to be a strong showcase piece.

    Performance Tips

    Treat this dialogue like an intellectual chess match where each spoken observation is a tactical move. The actor playing Charlie should focus on listening intently for falsehoods, letting the physical reactions remain subtle rather than overly dramatic. For Sterling, resist playing an overt threat; the performance works best when grounded in an easy, affable confidence that disguises ruthless calculation. Maintain the scene's brisk conversational tempo to let the tension build naturally without dragging the pacing.

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