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    Film
    monologue
    Comedy-Drama

    The Jew with a Lawyer

    from State and Main

    Written by David Mamet

    State and Main

    A high-powered Hollywood lawyer aggressively intimidates a local official to protect a film production from a potential scandal.

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    MARTY

    Now what is this, you sonofabitch, because if you haven't heard about the laws of Malicious Prosecution, you're about to. DON'T FLINCH WHILE I'M TALKING TO YOU, YOU TWO BIT SPEEDTRAP FRAUD: There's an old saying, two scariest things in the world, a black man with a knife and a Jew with a lawyer. Now, I am a lawyer, and I am The Jew, and you continue…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Taken from David Mamet’s comedy-drama film State and Main, this one-minute contemporary monologue presents a masterclass in aggressive negotiation. Marty, a high-powered Hollywood attorney, confronts a local official to neutralize a potential legal scandal threatening his movie production. It is a powerful display of legal intimidation and high-stakes posturing that pivots sharply into an offer of mutual cooperation.

    Character Analysis

    Marty is a formidable Hollywood lawyer in his forties who thrives in high-pressure conflicts. He carries himself as an elite authority figure and business executive who knows exactly how much power his status affords him. While his delivery is ferocious and unrelenting, Marty is fundamentally a pragmatist whose fury serves a calculated purpose: clearing every obstacle in his production’s path.

    Why This Works for Auditions

    This monologue delivers a potent burst of commanding energy, allowing actors to display absolute vocal confidence and rhythmic control in sixty seconds. Casting directors get an instant look at an actor’s ability to command the frame and play high-status authority without hesitation. The sudden transition from explosive legal threats to a smooth, transactional de-escalation also demonstrates strong tonal versatility within a short timeframe.

    Best Suited For

    This piece is ideal for male actors aged thirty-five to forty-five aiming for lawyer, executive, or intense antagonist casting types. It serves exceptionally well for self-tapes, agent showcases, and general practice where you need to make an unforgettable first impression. Performers seeking to demonstrate sophisticated verbal agility and ferocious charisma will find it a compelling calling card.

    Performance Tips

    Focus on the rhythmic drive of the dialogue while keeping your tactics grounded in genuine legal and financial dominance. Avoid playing the confrontation as uncontrolled anger; Marty’s aggression is deliberate, surgical, and designed to force a total surrender. Make sure you fully commit to the pauses near the end, letting the silence land before shifting smoothly into the transactional calm of your closing offer.

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