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monologue
Comedy-Drama
Thriller

The Knitting Needle Fantasy

from Only Murders in the Building

Written by Steve Martin, John Hoffman

Only Murders in the Building

Mabel describes her recurring bedtime fantasy where she violently overpowers a home intruder with a knitting needle. She explains how this dark visualization of self-defense is the only thing that helps her fall asleep peacefully.

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MABEL

I’m in bed. I wake up. And there’s a man standing over me.

MABEL

I have no idea what he wants, what he’s gonna do to me -- but I know it’s gonna be bad. So I Megan Rapinoe him smack in the nuts...

MABEL

...and I grab my knitting needle. Yeah, I knit, what about it?

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Scene Notes & Audition Tips

5 sections
About This Scene

This contemporary monologue from the Emmy-winning series *Only Murders in the Building* features Mabel, offering a darkly comedic and surprisingly intimate glimpse into her psyche. She describes a recurring bedtime fantasy involving a home intruder and a knitting needle, which she employs as a violent, yet oddly comforting, act of self-defense. This internal monologue reveals Mabel's coping mechanisms for anxiety, presenting a character who finds peace through vivid, almost cinematic, visualizations of overpowering threats. The scene masterfully blends urban grit with a unique, quirky sensibility, showcasing Mabel's complex inner world where dark humor and a need for control intertwine.

Character Analysis

Mabel is a young woman, likely in the 18-25 age range, who embodies elements of an Outsider, a Leading Lady, and someone intensely quirky. Her internal monologue suggests a character with a deeply imaginative and perhaps somewhat jaded perspective on life, using a violent fantasy to achieve tranquility. Despite the dark nature of her "knitting needle fantasy," her tone isn't menacing; rather, it’s pragmatic, almost matter-of-fact, betraying a sense of control she seeks in her personal space. This dichotomy reveals a strong, resilient individual who processes fear and anxiety in an unconventional, yet effective, way for herself.

Why This Works for Auditions

This monologue is excellent for auditions because it provides a strong vehicle for showcasing an actor's ability to navigate complex emotional landscapes within a comedic-drama framework. It allows for a wide range of vocal and emotional choices, from deadpan delivery to moments of intense visualization, all within an internal monologue structure. The dark humor combined with vivid imagery makes it memorable, and the distinct character voice will stand out. Its one-minute duration is also ideal for self-tapes, agent-showcases, or general practice, providing a complete arc in a concise timeframe.

Best Suited For

This monologue is best suited for female-identifying actors aged 18-25 who can embody a character with a strong, individualistic voice and a penchant for dark humor. It's particularly effective for actors comfortable portraying roles that are intense, quirky, or possess a "Girl Next Door" façade with an unexpected inner life. Casting types like the "Outsider" or "Leading Lady" who can convey depth and a unique perspective will find this piece compelling. Actors looking to demonstrate their ability to handle sharp comedic timing alongside dramatic undertones will also shine with this material.

Performance Tips

When performing this monologue, focus on Mabel's internal journey rather than playing to an external audience. The vocal delivery should feel like genuine thought, evolving from a casual description to a more intense, visualized experience, then back to a sense of calm. Embrace the specific, vivid imagery—the "Megan Rapinoe" kick, the "taking him down to the bone"—and allow these details to color your facial expressions and subtle body language. The key is to find the unexpected sense of peace Mabel derives from her fantasy, culminating in that subtle, contented smile, proving that her unique coping mechanism truly "works every time."

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