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    Film
    monologue
    Comedy-Drama

    The Lady Behind the Curtain

    from The Lady in the Van

    Written by Alan Bennett

    The Lady in the Van

    Miss Shepherd pitches a radio idea to Alan Bennett and reveals glimpses of her mysterious past in Paris while asking for cleaning supplies.

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    Scene PreviewExcerpt — subscribe to read full scene

    MISS SHEPHERD

    Mr Bennett. I’ve worked out a way of getting on the wireless. A.B.: What?

    MISS SHEPHERD

    I want to do one of those phone-in programmes. It’s something someone like you could get put on in a jiffy.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Taken from Alan Bennett's comedy-drama The Lady in the Van, this scene captures Miss Shepherd as she visits her neighbour with a grand creative scheme. She pitches an imaginative radio broadcast concept, casually shifts into sharing fragments of her previous life in Paris, and swiftly pivots to mundane domestic requests for her vehicle. It offers a rich blend of eccentricity and underlying mystery within a grounded, neighborly dynamic.

    Character Analysis

    Miss Shepherd is a proud, fiercely independent outsider living an unconventional life. Despite experiencing homelessness, she carries herself with an impenetrable dignity and a vivid imagination that refuses to be pitied. Her mind moves with rapid agility, jumping from high-minded cultural ambitions and half-revealed secrets about her past to practical domestic survival. Beneath her demanding, eccentric exterior lies a deeply complex woman guarding layers of personal history.

    Why This Works for Auditions

    This quirky comedy-drama piece is an exceptional showcase for mature performers seeking distinctive, non-traditional roles. The writing demands sharp comedic timing alongside subtle, poignant vulnerability as the character brushes against hidden memories. Because the text moves so quickly between grand creative visions and trivial cleaning supplies, it allows an actor to demonstrate immense range, vocal dexterity, and clear shifts in thought within a short runtime.

    Best Suited For

    This material is ideal for female character actors aged fifty-five and older who thrive in idiosyncratic, eccentric roles. It works wonderfully for agent showcases, self-tape submissions, and general practice where casting directors need to see strong character work with genuine emotional depth. It is particularly well suited for performers highlighting outsider archetypes who command the room through sheer force of will.

    Performance Tips

    Treat each sudden transition as absolute common sense to Miss Shepherd, avoiding the temptation to play her merely as scattered or chaotic. Ground her logic firmly in her immediate needs, allowing her proposed broadcasting idea to carry complete artistic conviction. When touching upon memories of Paris and music, let a fleeting sense of genuine nostalgia emerge before abruptly reasserting control. Keep your pace crisp and refuse to play the situation as an appeal for sympathy.

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