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    Film
    monologue
    Comedy-Drama

    The Removal Order

    from The Lady in the Van

    Written by Alan Bennett

    The Lady in the Van

    Alan attempts to serve a removal order to Miss Shepherd, who deflects the situation with eccentric excuses about her health and divine protection.

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    Scene PreviewExcerpt — subscribe to read full scene

    A.B.: It’s a removal order.

    MISS SHEPHERD

    I know it’s a removal order. A.B.: It means you’ll have to drive on somewhere else.

    MISS SHEPHERD

    But I’m disabled. I don’t always use a walking stick and that pulls the wool over people’s eyes. But I am a bona fide resident of Camden and I had rheumatic fever as a child. And mumps. A.B.: I still think you’ll…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Alan Bennett, this scene from the comedy-drama The Lady in the Van explores an awkward neighborhood dispute over an impending eviction. When Alan attempts to serve an official removal order, Miss Shepherd refuses to yield, deflecting the demand with intricate excuses regarding her health and divine intervention. The exchange is rich with Bennett’s trademark dry humor, capturing an outsider navigating the precarious realities of homelessness with fierce, unapologetic dignity.

    Character Analysis

    Miss Shepherd is a determined outsider whose eccentricity serves as both armor and strategy. Rather than submitting to local authority or showing fear of displacement, she constructs an unshakeable wall of bureaucratic deflection, childhood ailments, and claims of miraculous protection. Her reasoning is completely sincere to her own mind, allowing her to dominate conversations with absolute conviction while keeping her neighbor perpetually off balance.

    Why This Works for Auditions

    This piece provides character actors with an exceptional opportunity to demonstrate comic restraint and sharp dialogue delivery. The writing balances dry comedy with subtle underlying friction, demanding that the actor find genuine stakes beneath oddball behavior. Casting directors can immediately evaluate a performer's ability to handle elevated text, command comedic timing, and sustain a vivid, distinct persona without relying on caricature.

    Best Suited For

    This piece is tailored for mature performers aged 55 and older who specialize in quirky character roles and eccentric outsider types. It serves as prime material for self-tape auditions, agent showcases, and general craft practice where strong character work is essential. Actors with a facility for British comedy-drama and deadpan banter will find it an ideal platform to exhibit their presence.

    Performance Tips

    Commit wholeheartedly to Miss Shepherd's internal logic, treating her unusual claims as plain common sense rather than comedic punchlines. Resist the temptation to play the eccentricity for easy laughs; the scene succeeds when your objective to stay put is urgent and unwavering. Maintain a crisp, matter-of-fact vocal delivery, and let the humor arise organically from your utter refusal to acknowledge the gravity of the removal order.

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