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    The Left-Handed Suicide

    from Poker Face

    Written by Rian Johnson

    Poker Face

    Charlie attempts to convince Sterling that a local death was a murder rather than a suicide, while Sterling tries to suppress the investigation.

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    Scene PreviewExcerpt — subscribe to read full scene

    STERLING

    Good, we should be able to do a test tomorrow morning. Did you talk to the police about Natalie's death?

    CHARLIE

    ...yeah?

    STERLING

    Sheriff Parker called me, he was going to do a whole new round of questioning, a whole thing.

    CHARLIE

    Good!

    STERLING

    No not good! No, Charlie we talked about this, you know what we're in the middle of here?…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This contemporary dramatic confrontation from *Poker Face*, written by Rian Johnson, centers on a sharp clash between suspicion and suppression. Charlie pushes the theory that a recent death was staged as a suicide, presenting concrete physical anomalies to an impatient Sterling. As Sterling works actively to shut down further police involvement, the conversation spirals into an intense battle of competing priorities, authority, and hidden motives.

    Character Analysis

    Charlie, in their 40s, embodies the tenacious outsider whose keen eye for detail is matched by a refusal to let an injustice slide. This character works through instinct and rapid deduction, growing increasingly unsettled and vocal in the face of institutional complacency. Sterling, aged in their 30s to 40s, operates as an unyielding authority figure who wields quiet influence with cold finality. Rather than engaging with the physical evidence, Sterling is determined to protect an impending deadline, using administrative power and dismissal to neutralize the inquiry.

    Why This Works for Auditions

    Running at a brisk one minute, the scene provides instant dramatic momentum without bogging the audience down in excessive exposition. It allows both performers to showcase distinct status transactions, active listening skills, and the ability to fight for clear objectives in a concentrated window. For casting directors, it highlights an actor's capacity to handle modern mystery dialogue while navigating complex power dynamics under pressure.

    Best Suited For

    This piece is an exceptional choice for actors in the 35 to 45 age bracket preparing self-tapes, agent showcases, or general scene study practice. It particularly flatters performers targeting casting types such as the persistent outsider, leading dramatic roles, or imposing, villainous authority figures in contemporary screen projects.

    Performance Tips

    Avoid rushing through the investigative breakdown; Charlie must share the evidence as an active realization rather than a rehearsed monologue, letting genuine outrage propel the argument forward. For the actor playing Sterling, resist the impulse to raise your voice or play obvious malice. The threat lands with far greater impact when Sterling's delivery remains composed and relaxed, demonstrating the absolute confidence of someone who holds total leverage over the situation.

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