Skip to content
    Tv
    monologue
    Drama

    The Man I Loved Died Last Night

    from Station Eleven

    Written by Patrick Somerville

    Station Eleven

    During a high-stakes corporate presentation about supply chain logistics, Miranda Carroll suffers a breakdown as she processes the sudden death of her former partner. She confronts the futility of her career and the cold reality of corporate interests in the face of personal tragedy and an impending global apocalypse.

    Start a free 7-day trial — 5 downloads a day, unlimited when Pro begins

    Rehearse on your terms

    Take this monologue into rehearsal and work through it at your own pace.

    Scene PreviewExcerpt — subscribe to read full scene

    MIRANDA

    Thank you for letting us bend your ears today about a few new hybrid supply chain and drone concepts. You all seem to know that the world is coming to an end. So… It’s a good reminder that nothing we have done, or do, matters at all. But it does. It does. The man I loved died last night, and- The man I loved died last night, and I went to work.…

    End of preview. Continue with Pro below.

    7 days freeYour next rehearsal starts here

    Found your next scene? Make it yours.

    Start your free trial and read The Man I Loved Died Last Night in full, with access to 6,000+ monologues and scenes to explore next.

    • Read the full scene and explore the library
    • Download your script in a clean, printable format
    • Take it into rehearsal with the Script Reader
    Casting Types
    Get Feedback
    Coming Soon

    Want expert coaching on this scene?

    Browse our curated list of acting coaches, dialect specialists, and more.

    Find a Coach

    Need representation?

    Browse verified agents and casting directors in our directory.

    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Patrick Somerville for the television series Station Eleven, this contemporary dramatic monologue captures a critical rupture in professional composure. Miranda Carroll is delivering a high-stakes corporate pitch on supply chain logistics when the recent passing of her former partner completely derails her focus. In a sudden collision of corporate bureaucracy and existential dread, she confronts the futility of her career alongside an impending global apocalypse.

    Character Analysis

    Miranda represents a capable, ambitious professional whose carefully curated emotional armor suddenly fails her. She is fundamentally torn between the conditioned impulse to show up for work and the agonizing regret of not being present during her loved one's final moments. Her grief is compounded by existential fury, stripping away polite office etiquette to expose an intense, vulnerable reckoning with what truly holds meaning in life.

    Why This Works for Auditions

    Lasting around one minute, this monologue supplies a remarkably steep dramatic progression that immediately commands an audition panel's attention. It allows an actor to showcase sophisticated emotional range, moving convincingly from boardroom authority to devastating personal confession. The stark contrast between sterile business logistics and catastrophic personal loss generates compelling, urgent stakes. Because the crisis unfolds in real time, it demonstrates an actor's ability to live truthfully under heightened circumstances.

    Best Suited For

    This piece is an excellent match for female actors playing ages twenty-five to thirty-five who align with intense, vulnerable, leading lady, or corporate executive casting types. It works brilliantly for drama school auditions, agent showcases, and competitive self-tapes that call for a contemporary dramatic performance. Actors looking to demonstrate raw interior conflict alongside sharp vocal clarity will find this piece especially rewarding.

    Performance Tips

    Avoid starting the piece in total distress; let the formal posture of a business presentation provide a fragile mask that slowly deteriorates. Allow the shocking realization of your loss to catch you by surprise mid-thought rather than predetermining your emotional outbursts. Speak directly to specific boardroom listeners across your eye line, using their imagined discomfort as a catalyst that pushes your honesty further into the open.

    No ratings yet
    Sign in to rate