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    Film
    duologue
    Crime Drama

    The Mouse and the Metroliner

    from The Wire

    Written by Barry Luc

    The Wire

    Two intoxicated detectives share a moment of dark levity and professional reflection by the train tracks in the early morning. Bunk recounts a ridiculous story about shooting a mouse with his service weapon before McNulty (McArdle) reveals his stubborn determination to pursue a complex case despite departmental pressure.

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    Scene PreviewExcerpt — subscribe to read full scene

    BUNK

    ...So I drive all the way down Liberty Road at two in the damn morning, on a midnight shift with two murders and a police shooting going down, to do what?

    BUNK

    To get a got-damn mouse out my wife's bedroom closet. You imagine that?

    MCARDLE

    What did you do?

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This duologue, "The Mouse and the Metroliner," is a fantastic contemporary crime drama piece featuring two male detectives, Bunk and McArdle, both in their 30s-40s. Set in the early morning hours by train tracks, the scene captures a moment of dark humor and professional resolve amidst a shared state of deep intoxication. It masterfully blends a seemingly absurd anecdote about a mouse with a potent undercurrent of a police procedural, offering actors rich material to explore themes of partnership, personal chaos, and stubborn determination.

    Character Analysis

    Bunk presents as a seasoned, slightly jaded detective, whose outward comedic recounting of shooting a mouse with his service weapon masks a world-weariness and perhaps a touch of exasperation with his personal and professional life. His character embodies a working-class everyman, capable of both ludicrous actions and sharp observational humor. McArdle, on the other hand, while equally drunk, reveals a deeper, more intense determination, seemingly using the shared moment of levity to steel his resolve to pursue a difficult case against the odds. He is the gritty, driven counterpart, whose reflective silence and ultimate declaration reveal a stubborn defiance that defines his professional ethos.

    Why This Works for Auditions

    "The Mouse and the Metroliner" is an excellent choice for auditions because it showcases a broad emotional range within a short duration. Actors can demonstrate comedic timing, vulnerability, and gravitas, often within the same line or beat. The scene's progression from a drunken, humorous anecdote to a moment of quiet, intense resolve allows both actors to pivot dramatically, highlighting their ability to navigate complex emotional shifts. It's particularly effective for self-tapes and agent showcases due to its distinct characters and clear narrative arc, offering a memorable performance.

    Best Suited For

    This scene is ideally suited for male actors in their 30s-40s who are looking to portray a blend of gritty realism, dark humor, and underlying intensity. It's perfect for those comfortable exploring the nuances of intoxication without resorting to caricature, instead using it to reveal character vulnerabilities and motivations. Casting types such as Detective, Everyman, or Working Class, especially those with an "Intense" quality, will find this scene particularly strong for demonstrating their range and authenticity.

    Performance Tips

    When approaching this scene, actors should focus on grounding the intoxication in truthful behavior rather than playing "drunk" for laughs. Allow the alcohol to lower inhibitions and sharpen focus in unexpected ways, rather than just slurring words. For Bunk, lean into the storytelling aspect, savoring the absurdity while letting the weariness of a demanding job subtly peek through. For McArdle, use your stillness and the impending train to build tension towards your final, determined declaration, ensuring that the revelation feels earned and impactful, contrasting with the earlier comedic tone.

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