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    Film
    duologue
    Drama

    The Non-Fiction Novel

    from Capote

    Written by Dan Futterman

    Capote

    Truman Capote discusses his transition from fiction to the 'non-fiction novel' while describing his investigation into the Clutter family murders in Kansas. He explains his fascination with the collision of two different American worlds.

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    TRUMAN

    ...I was in Marilyn's apartment just last week. I had to break it to her that, of the four Matisses hanging on her wall, two were upside down.

    TRUMAN

    Another. To answer your question, I'm following "Breakfast at Tiffany's" by blazing a different path - by inventing an entirely new kind of writing: the non-fiction novel.

    REPORTER

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Set during a polished restaurant lunch, this dramatic duologue from Dan Futterman's screenplay *Capote* captures an intimate yet revealing press interview. The scene centers on Truman as he explains his artistic transition from celebrated fiction to the pioneering territory of the non-fiction novel. As he describes his investigation into the Clutter family murders in Kansas, the discussion transitions from light society gossip into an exploration of two colliding American realities.

    Character Analysis

    Truman is a brilliant, razor-sharp intellectual who commands attention through high social charm, wit, and supreme self-assurance. Beneath his effervescent exterior lies an intense artistic hunger and a fascination with the darker underbelly of American life. The Reporter functions as an attentive, perceptive listener whose subtle prompts allow Truman to unveil the full scale of his literary ambition.

    Why This Works for Auditions

    This scene offers an exceptional platform for an actor seeking to demonstrate linguistic precision, stillness, and nuanced status play. The sudden transition from relaxed vanity to profound, grave analysis allows performers to reveal dynamic emotional range without resorting to overt theatricality. The material challenges the actor to sustain authority and captivate an audience primarily through voice, intellect, and subtext.

    Best Suited For

    This piece is tailor-made for male actors aged 35 to 45 who fall into leading man, character actor, or sophisticated casting categories. It is an outstanding choice for drama school auditions, agent showcases, self-tapes, and scene study practice. Performers looking to demonstrate an aptitude for cerebral roles, biopic storytelling, or complex true-crime drama will find this dialogue particularly rewarding.

    Performance Tips

    Resist the temptation to rely on caricature or exaggerated vocal affectations, focusing instead on Truman's razor-sharp intellect and unwavering purpose. Carefully chart the pivot where casual name-dropping gives way to grim, concentrated seriousness about human violence and literature. Maintain disciplined economy in your physical life, using deliberate pauses, steady eye contact, and relaxed posture to maintain total control of the space.

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