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    duologue
    Comedy

    The Pains of Country Matrimony

    from The Beaux-Stratagem

    Written by George Farquhar

    Act II, Scene 1. Mrs. Sullen complains bitterly to her sister-in-law Dorinda about the dullness of country life and her husband's boorish, drunken behavior.

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    MRS. SULLEN

    A maintenance! do you take me, madam, for an hospital child, that I must sit down and bless my benefactors, for meat, drink, and clothes? As I take it, madam, I brought your brother ten thousand pounds, out of which I might expect some pretty things, called pleasures.

    DORINDA

    You share in all the pleasures that the country affords.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Taken from Act II, Scene 1 of George Farquhar's classical comedy The Beaux-Stratagem, this duologue captures a sharp, witty conversation between two young gentlewomen. Mrs. Sullen vents her intense frustrations regarding the suffocating dullness of rural existence and the intolerable habits of her drunken husband. Dorinda attempts to defend provincial living and family loyalty, setting up a lively clash of perspectives on marriage, money, and social expectations.

    Character Analysis

    Mrs. Sullen is a sophisticated, quick-witted young woman who feels profoundly trapped in an ill-matched marriage to an uncouth provincial man. She wields her biting humor, high social expectations, and sharp intellect as armor against genuine domestic despair. Dorinda, her sister-in-law, presents a composed and polite contrast, attempting to defend country habits while delicately balancing loyalty to her brother with sympathy for her companion.

    Why This Works for Auditions

    Classical comedic duologues for two women are relatively rare, making this two to three minute piece a standout choice for auditioning partners. The scene balances sparkling restoration-era wit with clear, relatable emotional stakes. Both performers get ample opportunity to demonstrate facility with heightened language, rapid comedic pacing, and subtle shifts in status without sacrificing conversational truth.

    Best Suited For

    This piece is an exceptional choice for drama school auditions, agent showcases, classical competitions, and general classroom practice. Actresses casting within the eighteen to twenty-five age range will find rich material here to demonstrate leading lady, upper-class, and sophisticated comedic casting profiles.

    Performance Tips

    Lean into the crisp cadence and musicality of Farquhar's prose while keeping the underlying marital complaints grounded in real emotional urgency. The actor playing Mrs. Sullen should avoid playing mere petulance; her witty barbs are energized and inventive coping mechanisms. Dorinda must actively listen and push back against her companion rather than becoming a passive sounding board, allowing their shared bond to shine through the debate.

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