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    duologue
    Comedy

    The Price of Fashion

    from The School for Scandal

    Written by Richard Brinsley Sheridan

    The Price of Fashion from The School for Scandal — audition scene

    Act II, Scene 1. Sir Peter Teazle confronts his much younger wife about her reckless spending and obsession with London high society. Lady Teazle wittily deflects his complaints by reminding him of her miserable country upbringing and ends the argument with a sharp, cold-hearted jab about her desired future status.

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    Scene PreviewExcerpt — subscribe to read full scene

    SIR PETER

    Lady Teazle--Lady Teazle I'll not bear it.

    LADY TEAZLE

    Sir Peter--Sir Peter you--may scold or smile, according to your Humour, but I ought to have my own way in everything, and what's more I will too--what! tho' I was educated in the country I know very well that women of Fashion in London are accountable to nobody after they are married.

    SIR…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Drawn from Act II, Scene 1 of Richard Brinsley Sheridan's classical comedy The School for Scandal, this lively three-minute duologue captures an escalating marital clash over money and social ambition. Sir Peter confronts his much younger wife, Lady Teazle, concerning her relentless extravagance and infatuation with London high society. In response, Lady Teazle disarms his complaints with razor-sharp wit and reminders of her dreary country upbringing, turning an argument over household finances into a dazzling battle of status.

    Character Analysis

    Sir Peter embodies an exasperated patriarch struggling to maintain dignity and marital authority against a partner who refuses to yield. His frustration stems not only from financial strain but also from profound insecurity regarding his advanced age and his wife's indifference. Lady Teazle operates as a sophisticated, fiercely independent woman determined never to return to provincial obscurity. She uses high status, charm, and devastating comedic timing to assert her autonomy, viewing marriage not as an institution of obedience but as a gateway to social power.

    Why This Works for Auditions

    This piece serves as an exceptional classical audition vehicle because it balances rapid-fire repartee with clear emotional stakes. Audition panels instantly gain insight into an actor's mastery of heightened language, comedic rhythm, and vocal clarity. Because the power dynamic continuously shifts between the characters, the exchange prevents static bickering and keeps the audience fully engaged in the evolving power struggle.

    Best Suited For

    This classical comedy duologue is ideally suited for drama school auditions, agent showcases, acting competitions, and advanced scene study practice. Actors looking to demonstrate upper-class sophistication, comedic dexterity, or patriarchal authority will find rich material here. It offers a balanced platform for performers aged twenty-five to thirty-five who wish to showcase their skill with period text.

    Performance Tips

    Focus on the speed of thought rather than rushing the delivery, allowing Sheridan's intricate sentence structures to sound spontaneously conceived. Ensure that Sir Peter's grievances remain rooted in genuine stakes so the exchange does not devolve into pure caricature. Lady Teazle should deliver her deflections with effortless poise, using verbal precision rather than volume to win each beat.

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