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    Film
    duologue
    Drama

    The Selection Process Testimony

    from The Reader

    Written by David Hare

    The Reader

    During a war crimes trial, Hanna Schmitz bluntly admits to her role in the Nazi selection process, challenging the Judge's moral perspective.

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    JUDGE

    Miss Schmitz, you’re familiar with this book...

    HANNA

    Yes...

    JUDGE

    Parts of it have already been read out in court. It’s an American publication, which has been translated. It’s by a survivor, a prisoner who survived, Ilana Mather...

    HANNA

    Yes I know. I know Ilana Mather.

    JUDGE

    She was in the camp, wasn’t she, when she was a child? She was with…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Adapted from David Hare's screenplay for the film *The Reader*, this intense contemporary courtroom duologue captures a gripping exchange during a war crimes trial. The Judge questions Hanna Schmitz regarding her active participation in the camp selection process detailed in survivor testimony. Rather than denying her role like her fellow defendants, Hanna offers a blunt, shocking admission that fundamentally challenges the court's expectations.

    Character Analysis

    Hanna Schmitz, aged forty-three, presents an austere and intense presence whose apparent defiance stems from literal-minded pragmatism rather than deliberate malice. She views her past duties through a chillingly routine lens, demonstrating an absence of moral awareness that renders her both tough and deeply vulnerable under scrutiny. The Judge, aged in his fifties to sixties, functions as an authoritative figure seeking clarity and justice, gradually becoming disoriented by a defendant who admits to atrocities with absolute candor.

    Why This Works for Auditions

    Drawn from an Oscar, BAFTA, and Golden Globe-winning drama, this two to three-minute scene provides actors with extraordinary psychological stakes and rich subtext. It bypasses conventional courtroom grandstanding in favor of quiet tension, moral conflict, and complex character psychology. Both performers have the opportunity to showcase intense focus, sharp active listening, and the control required to handle historically heavy subject matter without falling into caricature.

    Best Suited For

    This piece is ideal for self-tapes, agent showcases, drama school auditions, and general practice. It serves as an exceptional vehicle for character actors seeking roles with serious emotional gravity, particularly female performers looking for tough, complex material and mature actors suited for authority figures.

    Performance Tips

    Resist the temptation to play Hanna as an exaggerated villain or a tearful penitent; ground her delivery in absolute, matter-of-fact practicality. Her internal logic makes total sense to her, so play the genuine honesty of her perspective rather than commenting on her guilt. For the Judge, maintain professional judicial poise and channel your energy into rigorous inquiry. Allow the pauses and shifts in the interrogation to stem from genuine shock at her directness rather than pre-planned anger.

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