The Story of the Cicadas

"The Story of the Cicadas" is a contemporary comedy-drama monologue from the play *Wintertime* by Charles L. Mee. In this extended speech, Edmund utilizes a classical myth about cicadas to illustrate the all-consuming, destructive potential of his romantic passion. He moves seamlessly from lyrical, philosophical reflection into an intense and vulnerable confrontation with his partner regarding jealousy, possessiveness, and clashing expectations of fidelity.

Edmund is an articulate, deeply passionate man whose elevated intellect cannot shield him from the agony of emotional insecurity. He experiences love with an absolute, uncompromising intensity, willing to abandon everything else to remain consumed by his devotion. When his partner insists on maintaining personal independence and outside friendships, Edmund interprets this autonomy not as healthy balance, but as a devastating personal betrayal.

This piece offers a rare opportunity to demonstrate profound emotional range across a complex narrative arc. An actor must first establish an evocative, poetic tone through classical storytelling before pivoting directly into raw, contemporary domestic conflict. The text demands tremendous breath control, precise comedic and dramatic timing, and the ability to make rapid intellectual arguments feel urgently personal and active.

This monologue is strongly suited for drama school auditions, agent showcases, self-tape submissions, and advanced classroom practice. It provides an ideal showcase for male actors aged 35 to 65 aiming for intense leading roles or complex character parts. The material particularly benefits performers seeking heightened contemporary text that explores nuanced LGBTQIA+ relationship dynamics.

Approach the opening fable with genuine wonder and stillness, drawing your listener completely into the world of the myth before unveiling its modern application. Resist the impulse to play the entire speech as one sustained outburst; instead, allow the transitions between hurt, logic, and outrage to distinctively shape each shift in your argument. Ground Edmund's possessiveness in profound vulnerability, ensuring that the audience recognizes his desperation as love rather than pure malice.