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    We’ve got a rat in the house

    from This City Is Ours

    Written by Stephen Butchard

    This City Is Ours

    Michael reveals he is hunting a traitor within his circle while Diana questions the violent reality of his criminal lifestyle.

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    Scene PreviewExcerpt — subscribe to read full scene

    MICHAEL

    We’ve got a rat in the house and it’s gotten heavy. I’m sorting it.

    DIANA

    ...On your laptop?

    MICHAEL

    It needs to be done right... And it needs to be done right because the rat is a mate. After this I’m owed.

    DIANA

    After what?

    MICHAEL

    But I’ll tell you what, in no more than three years’ time I’ve decided - we can do whatever we want.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This intense contemporary drama scene, "We’ve got a rat in the house," plunges two characters, Michael and Diana, into a charged conversation. It reveals deep-seated tensions within their relationship and Michael’s criminal lifestyle. Michael casually discloses his hunt for a traitor while also promising a future life together. Diana navigates the dark reality of his world and her own past trauma. The dialogue shifts between Michael's professional ruthlessness and Diana's probing questions, culminating in a stark moment of truth and a sudden external interruption. This scene offers a powerful exploration of loyalty, betrayal, and the complex emotional cost of a dangerous life.

    Character Analysis

    Michael is a man of decisive action, operating within a criminal sphere where betrayal is a serious offense, yet he attempts to balance this with aspirations for a conventional future with Diana. He projects control and a pragmatic approach to violence, even when discussing harming a "mate." Diana, on the other hand, is intelligent and emotionally perceptive. She navigates her connection to Michael with a blend of attraction to his power and a profound weariness of its violent implications. Her questions cut to the core, revealing her struggle with his reality and her own experiences, suggesting a history of resilience and unaddressed pain.

    Why This Works for Auditions

    This scene is an excellent choice for auditions due to its dynamic interplay and the significant emotional journey both characters undertake in a short period. It provides ample opportunity for actors to showcase a wide range of intense emotions, from quiet menace and conflicted love to profound vulnerability and pointed inquiry. The contemporary setting and dramatic genre ensure relevance for many modern casting calls. The clear arc of tension allows for a compelling performance that immediately grabs attention and demonstrates an actor's ability to handle complex dialogue and nuanced relationship dynamics.

    Best Suited For

    "We’ve got a rat in the house" is particularly well-suited for actors aged 25-35 looking to portray complex dramatic roles. It's ideal for those who can embody characters with a "Tough" exterior but reveal underlying "Vulnerable" aspects, fitting both "Leading Man" and "Leading Lady" archetypes. Actors comfortable exploring themes of crime, betrayal, and intense relationship tension will excel here. This scene is perfect for agent showcases, self-tapes requiring strong emotional depth, or general practice to hone powerful dramatic skills.

    Performance Tips

    Actors approaching this scene should focus on the subtext and the subtle power shifts between Michael and Diana. For Michael, maintain a quiet, almost casual delivery of intense information, emphasizing his control and the weight of his decisions, while allowing glimpses of his affection for Diana. For Diana, let her questions build from genuine curiosity to a deeper, more urgent need for truth, using her emotional history to inform her pointed delivery. Pay close attention to the pauses and silences, as these moments are charged with unspoken history and looming consequences, allowing the tension to simmer effectively.

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