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    duologue
    Drama

    Yacco, Gus — Before we begin, I want to

    from 12 and Holding

    Written by Anthony S. Cipriano

    12 and Holding

    A firefighter confesses a mercy killing to his therapist while explaining his complicated relationship with a young girl.

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    Scene PreviewExcerpt — subscribe to read full scene

    YACCO

    Before we begin, I want to apologize. I should have known what was going on with Malee.

    GUS

    It’s my fault. I knew she had a crush on me. I guess, I felt bad for her. She’s a very unhappy girl.

    GUS

    If it’s any consolation, the whole thing was very “therapeutic” for me. Sorry. That was a very selfish thing to say.

    YACCO

    This is your therapy. Not…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This intense duologue from the film *12 and Holding* features Yacco, a therapist, and Gus, a firefighter, as Gus makes a shocking confession during a session. The scene immediately plunges into a raw discussion about a young girl, Malee, before Gus reveals a deeply disturbing act he committed during a past fire. It explores themes of guilt, trauma, and the blurred lines of morality when faced with extreme suffering, unfolding within the confines of a therapy room. The emotional weight builds steadily, culminating in a profound moment of shared understanding and silent agony between the two men.

    Character Analysis

    Gus is a man burdened by immense trauma and guilt, struggling to reconcile a past "mercy killing" with his present reality. His confession to Yacco isn't just about the act itself, but about finding justification and release from the psychological burden he carries. Yacco, as the therapist, initially aims to guide Gus but ultimately becomes deeply affected by the revelation, demonstrating a profound empathetic response that transcends professional detachment. Both characters operate within a space of vulnerability, with Gus seeking absolution and Yacco grappling with the ethical and human implications of what he hears.

    Why This Works for Auditions

    This scene is an excellent choice for auditions because it offers a powerful emotional arc for Gus, moving from guarded confession to profound relief, albeit a disturbing one. For Yacco, it demands nuanced listening, subtle emotional shifts, and a non-verbal reaction that speaks volumes. The contemporary setting and clear character objectives make it highly relatable, while the intense subject matter allows actors to showcase significant dramatic range and depth without resorting to histrionics. It's a contained yet explosive piece that demonstrates an actor's ability to handle complex emotional material and subtle interpersonal dynamics.

    Best Suited For

    This duologue is best suited for male-identifying actors in the 30s-40s age range who can embody roles that require significant emotional intensity and vulnerability. Actors looking to portray "Everyman" or "Working Class" types grappling with moral dilemmas, or those aiming for "Intense" or "Vulnerable" casting types will find ample opportunity here. It's particularly effective for self-tapes, agent showcases, or general practice sessions where you want to demonstrate a strong command of dramatic material and subtle character work.

    Performance Tips

    When approaching Gus, focus on the underlying desperation for understanding and absolution, allowing the confession to unfold with a mixture of shame and the strange catharsis of speaking a long-held secret. For Yacco, your performance lies in your reactions and the internal processing of Gus's story; practice active listening, letting the weight of the information visibly impact you through subtle facial expressions and body language. Both actors should pay close attention to the rhythm of the dialogue, using pauses and varying vocal dynamics to convey the gravity of the situation and the characters' internal struggles.

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