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duologue
Tragedy

Yerma & Victor — The Crying Child

from Yerma

Written by Federico García Lorca

Yerma

Yerma encounters Victor, who is singing cheerfully, and they discuss their respective temperaments and Yerma's husband. The conversation takes a turn when Yerma believes she hears a child crying, revealing her deep longing for motherhood and Victor's discomfort.

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Scene PreviewExcerpt — subscribe to read full scene

Victor Where are you going, my beauty?

Yerma Was that you singing?

Victor It was.

Yerma So fine! I’ve never heard you sing.

Victor No?

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Scene Notes & Audition Tips

5 sections
About This Scene

This duologue from Federico García Lorca's "Yerma" is an intense moment exploring themes of longing and unfulfilled desire. It features Yerma and Victor in a seemingly casual encounter that quickly reveals deeper emotional currents. The scene slowly builds tension as Yerma’s inner turmoil regarding her childlessness begins to surface, creating a powerful dynamic between the two characters.

Character Analysis

Yerma is a woman consumed by a profound yearning for motherhood, a desire that overshadows all other aspects of her life. She carries a palpable sadness, even as she attempts to deny it, which manifests in her perceptive observations and internal struggles. Victor, in contrast, presents as cheerful and boisterous, embodying a simpler, less complicated existence. His discomfort and eventual fear when confronted with Yerma's raw vulnerability highlight his fundamental inability to comprehend or engage with her deep-seated pain.

Why This Works for Auditions

This scene is highly effective for auditions due to its clear dramatic arc and the significant emotional journey it offers for both actors. It provides excellent opportunities to showcase nuanced acting choices, from subtle shifts in tone and expression to moments of intense emotional revelation. The contrasting temperaments of Yerma and Victor allow actors to demonstrate their ability to create distinct characters and engage in complex interpersonal dynamics despite the limited dialogue.

Best Suited For

This duologue is best suited for actors aged 25-35 who are looking for material to showcase dramatic flair and emotional depth. It is particularly strong for those playing vulnerable, intense, or dramatic casting types. The rural, working-class setting further lends itself to actors who can authentically embody an everyman quality. This piece is ideal for drama school auditions, self-tapes, general practice, and even competition settings, allowing actors to truly flex their interpretive muscles.

Performance Tips

When approaching Yerma, focus on her suppressed longing and the constant undercurrent of sadness beneath her words. Even her denial of sadness should reveal its presence. For Victor, lean into his initial cheerfulness, but pay close attention to his growing discomfort and how it subtly (then overtly) shifts his demeanor. Ensure the pauses are fully exploited; they are integral to building the scene's tension and allowing the subtext to breathe. The moment Yerma believes she hears a child crying is a pivotal point, demanding a genuine and heartfelt portrayal of her desperation.

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