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duologue
Comedy

Act II, Scene 1 — The Wooing Scene

from The Taming of the Shrew

Written by William Shakespeare

Petruchio attempts to woo the headstrong Katherine through a series of rapid-fire verbal jousts and puns. Despite Katherine's sharp insults and rejection, Petruchio counters every barb with wit and persistence.

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Scene PreviewExcerpt — subscribe to read full scene

PETRUCHIO

Good morrow, Kate, for that's your name, I hear.

KATHERINE

Well have you heard, but something hard of hearing. They call me Katherine that do talk of me.

PETRUCHIO

You lie, in faith, for you are called plain Kate, and bonny Kate, and sometimes Kate the curst.

KATHERINE

Moved! in good time: let him that moved you hither remove you hence.

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Scene Notes & Audition Tips

5 sections
About This Scene

This iconic duologue, often referred to as "The Wooing Scene," is a masterclass in comedic sparring from William Shakespeare's classic play. It features Petruchio's audacious attempt to court the notoriously hot-tempered Katherine through a relentless barrage of wit, wordplay, and verbal jousting. The scene is a lively exchange where Katherine's sharp rejections and insults are met with Petruchio's equally quick-witted and persistent counter-arguments, creating a dynamic and highly entertaining battle of the sexes.

Character Analysis

Petruchio is a bold, confident, and highly strategic character, undeterred by Katherine's formidable reputation. He approaches the courtship as a game, delighting in the challenge and using humor and wordplay as his primary weapons. Katherine, on the other hand, is intelligent, fiery, and deeply resentful of her situation, initially using her sharp tongue as a defense mechanism and a means to assert her independence. Both characters possess incredible verbal dexterity and a strong will, making their confrontation a compelling watch.

Why This Works for Auditions

This scene offers a fantastic opportunity to showcase an actor's command of classical text, comedic timing, and ability to engage in dynamic stage combat. The rapid-fire dialogue demands quick thinking and precise delivery, demonstrating a performer's agility and vocal prowess. It allows actors to exhibit a wide range of emotions within a comedic framework, from frustration and anger to playful manipulation and burgeoning interest, making it suitable for drama school auditions, agent showcases, and competitions.

Best Suited For

This duologue is best suited for actors aged 25-35 who are comfortable with Shakespearean language and have a knack for physical and verbal comedy. It is particularly effective for those looking to be cast as leading men and leading ladies who embody charming, sophisticated, or boldly comedic casting types. Whether an actor aims to show off their dramatic range with a comedic classical piece or their ability to command a stage with intelligent banter, this scene provides an excellent vehicle.

Performance Tips

When approaching this scene, focus on the rhythm and musicality of Shakespeare’s language, allowing the wit to land with precision and punch. For Petruchio, maintain an underlying confidence and a playful, almost mischievous gleam, even as Katherine hurls insults. For Katherine, lean into her initial defiance and intelligence, ensuring her anger stems from a place of agency and not mere petulance. Both actors should listen intently to their scene partner, allowing the momentum and energy of the verbal tennis match to build authentically through their reactions and counter-reactions.

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