Play
duologue
Comedy
Drama

Act II, Scene 10 — The Thieves' Dispute

from The Beggar's Opera

Written by John Gay

Two criminal associates, Peachum and Lockit, argue over the division of profits and the ethics of their dishonest trade. The tension escalates into a physical confrontation before they realize that their mutual survival depends on their cooperation, as they both have the power to send each other to the gallows.

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LOCKIT

In this last Affair, Brother Peachum, we are agreed. You

LOCKIT

have consented to go halves in Macheath.

PEACHUM

We shall never fall out about an Execution-- But as to that

PEACHUM

Article, pray how stands our last Year's Account?

LOCKIT

If you will run your Eye over it, you'll find 'tis fair and

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Scene Notes & Audition Tips

5 sections
About This Scene

This duologue, "Act II, Scene 10 — The Thieves' Dispute," extracted from John Gay's satirical play *The Beggar's Opera*, plunges two formidable criminal figures, Lockit and Peachum, into a heated confrontation. It captures a pivotal moment where their professional partnership, built on illicit gains, teeters on the brink of collapse amidst accusations of betrayal and financial impropriety. The scene brilliantly encapsulates the cynical underbelly of society, mirroring the corrupt politics of the classical period it satirizes.

Character Analysis

Peachum is a shrewd, calculating fence and receiver of stolen goods, whose primary motivation is profit, even at the expense of his "friends." He embodies a pragmatic, somewhat hypocritical morality, justifying his actions by comparing himself to "Great Statesmen" and questioning Lockit's integrity with a deceptive calm that belies his sharp intellect. Lockit, the keeper of the prison, is equally corrupt but perhaps more sensitive about his professional "honour," which he equates directly with his livelihood. He is quick to anger when his reputation or financial dealings are challenged, revealing a volatile intensity beneath his authoritative exterior.

Why This Works for Auditions

This scene offers exceptional material for auditions due to its intense dramatic arc and rich comedic undertones. Actors can showcase their ability to navigate complex character dynamics, shifting from cunning manipulation to explosive anger, then to grudging reconciliation. The elevated classical language provides an excellent opportunity to demonstrate vocal control and clarity, while the rapid-fire exchange of accusations and veiled threats allows for strong reactive acting and precise comedic timing. Its duologue format ensures both actors have significant stage time to impress.

Best Suited For

This scene is particularly well-suited for character actors within the 45-55 age range who can embody villainous or criminal archetypes with gravitas and a touch of theatrical flair. It's ideal for those seeking to portray authority figures or patriarchs with a darker edge. Actors looking for material that combines sharp wit with high-stakes conflict, demonstrating both intellectual cunning and emotional volatility, will find this piece highly rewarding.

Performance Tips

Approach the classical language not as a barrier, but as an opportunity to find precise meaning and rhythmic flow, allowing the wit and satire to land effectively. For Peachum, focus on the underlying control and manipulative intent behind his calm demeanor, letting moments of veiled accusation build. For Lockit, lean into the simmering anger and wounded pride, ensuring his outbursts feel earned and impactful. Both characters should play the power struggle with clear stakes, highlighting how their mutual vulnerability ultimately forces a begrudging understanding.

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