Were not you even now with the Countess
Olivia?
VIOLA
Even now, sir. On a moderate pace I have since
arrived but hither.
Act II, Scene 2 — Viola's Soliloquy — Twelfth Night
Viola, disguised as Cesario, receives a ring from Malvolio, sent by Olivia. Viola realizes Olivia has fallen in love with 'Cesario' and is distraught by the complicated love triangle that has emerged, as she loves Orsino, who loves Olivia.
Format: Monologue · Genre: Classical · Source: Twelfth Night · Author: William Shakespeare · Characters: VIOLA
About This Scene
This pivotal monologue comes from Act II, Scene 2 of Shakespeare's Twelfth Night. Viola, disguised as the male Cesario, has just had a confusing encounter with Malvolio, who has returned a ring to ‘him’ on behalf of Olivia. This powerful speech allows Viola to process the implications of this exchange, realizing Olivia has fallen for her disguised persona. It masterfully encapsulates the intricate web of mistaken identity and unrequited love central to the play's comedic and dramatic elements.
Character Analysis
Viola is a remarkably resilient and intelligent character, navigating a challenging situation with wit and emotional depth. Here, her confusion quickly turns to a dawning, disheartened realization about Olivia's affections, which further complicates her own tender feelings for Duke Orsino. As Cesario, she maintains a masculine facade, yet this monologue strips away that disguise, revealing her vulnerability and internal conflict as she grapples with the unintended consequences of her deception. She is an empathetic figure, capable of great love and sorrow.
Why This Works for Auditions
This monologue is a fantastic choice for auditions because it showcases a wide range of emotions within a relatively short period. Actors can demonstrate their ability to portray confusion, dawning realization, distress, empathy, and resignation. It provides ample opportunities for vocal and physical expression of a complex internal journey. The classical language also allows a performer to highlight their command of heightened text and period style.
Best Suited For
This monologue is particularly well-suited for actresses aged 18-25 who embody the Ingenue or Vulnerable casting types, as it demands both youthful charm and a capacity for profound emotional expression. It's an excellent piece for drama school auditions, where depth of character and mastery of classical text are often assessed. Its emotional rollercoaster also makes it ideal for general practice or competition settings where demonstrating range is crucial.
Performance Tips
When approaching this monologue, focus on Viola's internal struggle and how her thoughts progress from confusion to clarity. Pay close attention to the shift in her understanding as she connects the dots about Olivia's infatuation. Allow the humor inherent in the situation to surface without undermining the character's genuine distress. Remember to use the physical action of examining the ring to punctuate her dawning realization and anchor your performance in the immediate circumstances of the scene.