Nora explains to her husband Torvald why she must leave him and her children to discover her own identity. She confronts the reality that she has been treated like a doll her entire life, first by her father and then by her husband.
NORA: I believe that before all else I am a reasonable human being, just as you are—or, at all events, that I must try and become one. I know quite well that most people would agree with you, Torvald, and that they would say so in books. But henceforth I can’t be satisfied with what most people say,
Create a free account to explore more
Upgrade to Pro for full access — £6.99/month
Director's Notes
Want expert coaching on this scene?
Browse our curated list of acting coaches, dialect specialists, and more.
Need representation?
Browse verified agents and casting directors in our directory.
How well does this scene match you?
Save your casting profile to see match scores on every scene.
Try Headshot AnalyserGo Pro
£6.99/mo
- ✓ Unlimited scene reading
- ✓ PDF downloads
- ✓ Director's Notes
- ✓ Headshot Analyser
- ✓ Cover Letter Generator
- ✓ Practice Mode
- ✓ Agent Connect
- + 1,000+ scenes
More from A Doll's House
Act III — The Final Confrontation
from A Doll's House
Nora explains to Torvald that for their marriage to continue, a 'miracle of miracles' would have to occur. She ultimately rejects his pleas for reconciliation and leaves him, famously slamming the door behind her.
Act III — Reasonable Human Being
from A Doll's House
Nora confronts her husband, Torvald, announcing her decision to leave him and their children to discover her own identity. She rejects the traditional roles of wife and mother in favor of her duty to herself as a human being.
Similar Scenes
The Judge's Charge
from 12 Angry Men
The presiding judge delivers final instructions to the jury in a first-degree murder trial. He emphasizes the gravity of their decision and the mandatory death sentence should they find the defendant guilty.
Martha's Bashful Confession
from Baby Reindeer
Martha recounts a series of perceived 'signs' she believes were sent to her by Donny, interpreting mundane social media posts and clothing choices as deep romantic signals. Her vulnerability masks an underlying delusional obsession, highlighting the thin line between a crush and stalking.
Act I, Scene 1 — Maureen's Pride
from The Beauty Queen of Leenane
Maureen, a middle-aged woman living in rural Ireland, delivers a fervent and repetitive declaration of her Irish identity and loyalty. The speech masks her deep-seated frustration and the claustrophobia of her isolated life caring for her manipulative mother.
Chapter III — Dorian Describes Sibyl Vane
from The Picture of Dorian Gray
Dorian Gray passionately describes his first encounter with the actress Sibyl Vane to Lord Henry. He contrasts her transcendent, artistic beauty with the mundane nature of ordinary women.

