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    Film
    duologue
    Comedy-Drama
    Drama

    Agnes and Lydie Check In

    from Sorry, Baby

    Written by Eva Victor

    Sorry, Baby

    Two close friends share a bittersweet goodbye as one prepares for motherhood while the other struggles with grief and isolation.

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    Scene PreviewExcerpt — subscribe to read full scene

    LYDIE

    You leave the house, right?

    AGNES

    What? Yes, I leave the house. I go to work, I have a job, Lydie.

    LYDIE

    Are you still in the same office?

    AGNES

    Yes.

    LYDIE

    I thought you were going to ask them to switch.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Eva Victor, this contemporary comedy-drama duologue captures a tender, bittersweet farewell between two close adult friends. Agnes is quietly navigating grief, mental health challenges, and professional isolation, while Lydie prepares to step forward into motherhood. As Lydie prepares to leave, their conversation balances frank, vulnerable discussions about staying alive with genuine warmth, dark humor, and affectionate teasing.

    Character Analysis

    Agnes and Lydie represent two women navigating distinct emotional chapters while anchored by deep mutual loyalty. Agnes uses self-deprecating wit and bizarre deflections to shield herself from deep-seated grief and professional insecurity. She clearly struggles with feeling left behind, yet loves her friend fiercely. Lydie is pragmatic, attentive, and protective, refusing to let Agnes brush off serious concerns while still maintaining space for playfulness as she transitions into parenthood.

    Why This Works for Auditions

    This scene gives two female actors an exceptional opportunity to showcase nuanced comedic timing alongside authentic vulnerability. Casting directors look for performers who can balance heavy themes like depression and major life changes with effortless, contemporary banter. Because the dynamic relies entirely on subtext and shared history, it highlights an actor's ability to listen actively, react instinctively, and keep high-stakes dialogue grounded.

    Best Suited For

    Actors playing ages twenty-five to thirty-five will find this two-minute scene ideal for self-tape submissions, agent showcases, and advanced partnership practice. It serves performers targeting casting types such as the vulnerable everyman, the quirky best friend, or the relatable young professional who must navigate complex interpersonal relationships under emotional strain.

    Performance Tips

    Avoid leaning purely into the scene's comedic absurdity, and instead anchor every eccentric quip in deep relational love. The dark jokes serve as a defense mechanism, so deliver them with natural throwaway energy rather than telegraphing punchlines. Pay careful attention to the shifts between light banter and genuine dread regarding saying goodbye. Let your physical choices reinforce the underlying bond and the painful reality of impending distance.

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